Georg Kopprasch composer
Georg Kopprasch (ca 1800 ca 1850) was a German composer and horn player primarily known for his second set of sixty horn studies (op. 6), currently used by most horn students studying at an advanced level.
Original cover of first set of sixty horn etudes composed by Georg Kopprasch - incorrectly attributed to "C" Kopprasch
From a musical family, Kopprasch was the son of composer Wilhem Kopprasch (c.?1750 c.?1832) who was also a bassoonist in the orchestra of the Prince of Dessau. Georg Kopprasch was a member of the Prussian Regiment band and by 1822 played second horn in the Royal Theater in Berlin. By 1832 Kopprasch had returned to Dessau and played second horn in the court orchestra, where he likely spent the remainder of his career.
Active in the Berlin horn playing scene in the early 1800s, Kopprasch was acquainted with the inventor of the valved horn, Heinrich Stölzel. Because horns could not play chromatically prior to Stölzel's invention of valves, no chromatic etudes existed for the horn and it is likely Kopprasch composed his now seminal works to fill that need.
Kopprasch wrote two sets of sixty etudes for horn, opus 5 for high horn and 6 for low horn, however only opus 6 (low horn) gained wide popularity, and is still published todaytypically in two books of thirty each. Some early publications incorrectly attribute "C" Kopprasch. These etudes have also been transcribed for other brass instruments, such as tuba and trombone.
Original cover of first set of sixty horn etudes composed by Georg Kopprasch - incorrectly attributed to "C" Kopprasch
From a musical family, Kopprasch was the son of composer Wilhem Kopprasch (c.?1750 c.?1832) who was also a bassoonist in the orchestra of the Prince of Dessau. Georg Kopprasch was a member of the Prussian Regiment band and by 1822 played second horn in the Royal Theater in Berlin. By 1832 Kopprasch had returned to Dessau and played second horn in the court orchestra, where he likely spent the remainder of his career.
Active in the Berlin horn playing scene in the early 1800s, Kopprasch was acquainted with the inventor of the valved horn, Heinrich Stölzel. Because horns could not play chromatically prior to Stölzel's invention of valves, no chromatic etudes existed for the horn and it is likely Kopprasch composed his now seminal works to fill that need.
Kopprasch wrote two sets of sixty etudes for horn, opus 5 for high horn and 6 for low horn, however only opus 6 (low horn) gained wide popularity, and is still published todaytypically in two books of thirty each. Some early publications incorrectly attribute "C" Kopprasch. These etudes have also been transcribed for other brass instruments, such as tuba and trombone.
60 selected Studies vol.1 (+CD) : Georg Kopprasch
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60 Etudes Op. 5 (Cor Alto) Georg Kopprasch
Titel / Title: 60 Etudes Op. 5 (Cor Alto)
Herausgeber / Publisher: Warwick Music
Instrumentation: Horn
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Georg Kopprasch, 60 Etudes Op.5 Georg Kopprasch
Titel / Title: 60 Etudes Op. 5
Herausgeber / Publisher: Warwick Music
Instrumentation: Tenor Trombone
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Genre: Sudien und Übungen
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EAN: 5060172028139
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00000
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Georg Kopprasch, 60 Etudes Op. 6 Georg Kopprasch
Titel / Title: 60 Etudes Op. 6
Herausgeber / Publisher: Warwick Music
Instrumentation: French Horn
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00000
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Georg Kopprasch, 60 Etudes Op. 6 Georg Kopprasch
Titel / Title: 60 Etudes Op. 6
Herausgeber / Publisher: Warwick Music
Instrumentation: Tenor Trombone
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Selected Kopprasch Studies for Trombone with F attachment Georg Kopprasch / Arr. Richard Fote
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Adapted from the series of classic etudes written for French horn by Georg Kopprasch in the early 1800's, this set of 36 studies for trombone with F attachment covers all major and some of the commonly used minor keys. They are designed to give students maximum flexib ...
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