Eva Velická arranger
She studied musicology at the Faculty of Arts of Charles University in Prague (19952002). Since 2006, he has continued his doctoral studies there. She completed a one-year scholarship stay at Phillips-UniversitätMarburg in Germany (200102), a month-long research internship in Paris, where she studied the manuscripts of Bohuslav Martinu at the Bibliothèque Nationale de France (2005), a month-long internship at the German music publishing house Bärenreiter-Verlag in Kastel and a scholarship of the 2nd Beethoven-Studienkolleg at the Beethoven-Haus, Bonn, focusing on codicology, paleography and sketch studies (2008).
She briefly worked as a musicologist at the Prague Music Information Center and at the Bohuslav Martinu Institute (200203). She was a lecturer at the Robert-Bosch-Stiftung Foundation for Czech Language and Culture in Munich, where she worked at the institutions LudwigMaximiliansUniversitätMünchen, Technische UniversitätMünchen and KulturbüroStudentenwerk München. In the years 200309 she was a musicologist at the Bohuslav Martinu Institute in Prague, since 2010 she is the head of the Antonín Dvorák Museum (Czech Museum of Music, National Museum) there.
Since 2006, she has been the chairman of the board of directors, co-founder and manager of OMNIMUSA os (civic association supporting the creation and realization of high-quality musical works, including connecting music with other artistic genres).
She was the main researcher and manager of the two-year grant project Professionalization in the field of publishing musical materials through further education of music experts (20062008), implemented by the B. Martinu Institute, financed by the European Social Fund, the budget of the Czech Republic and the capital. city ??of Prague. Member of the International Editorial Board of the Collected Critical Edition of the Works of B. Martinu (200509), member of the International Editorial Board of the Collected Critical Edition of the Works of A. Dvorák (since 2009), curator and main author of the large exhibition Antonín Dvorák at the Czech Museum of Music (2011) and member grant committee for classical music at MKCR (2011).
She briefly worked as a musicologist at the Prague Music Information Center and at the Bohuslav Martinu Institute (200203). She was a lecturer at the Robert-Bosch-Stiftung Foundation for Czech Language and Culture in Munich, where she worked at the institutions LudwigMaximiliansUniversitätMünchen, Technische UniversitätMünchen and KulturbüroStudentenwerk München. In the years 200309 she was a musicologist at the Bohuslav Martinu Institute in Prague, since 2010 she is the head of the Antonín Dvorák Museum (Czech Museum of Music, National Museum) there.
Since 2006, she has been the chairman of the board of directors, co-founder and manager of OMNIMUSA os (civic association supporting the creation and realization of high-quality musical works, including connecting music with other artistic genres).
She was the main researcher and manager of the two-year grant project Professionalization in the field of publishing musical materials through further education of music experts (20062008), implemented by the B. Martinu Institute, financed by the European Social Fund, the budget of the Czech Republic and the capital. city ??of Prague. Member of the International Editorial Board of the Collected Critical Edition of the Works of B. Martinu (200509), member of the International Editorial Board of the Collected Critical Edition of the Works of A. Dvorák (since 2009), curator and main author of the large exhibition Antonín Dvorák at the Czech Museum of Music (2011) and member grant committee for classical music at MKCR (2011).
Biblische Lieder op. 99 (hohe Stimme) Antonin Dvorak / Arr. Eva Velická
Ersetzt H 1758
Die zehn Biblischen Lieder op. 99 nach Psalmentexten aus der tschechischen Kralitzer Bibel bilden den Höhepunkt im umfangreichen Liedschaffen Antonín Dvoráks. Der einzigartige Zyklus ist im Jahr 1894 in den Vereinigten Staaten entstanden. Dvorák hatte zwar bereits vorher einige biblische Texte vertont, seine Sololiedfassungen mit Klavierbegleitung sind aber ...
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