Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Polkaglanz Mark Sven Heidt
Serie: Guido Henn und seine Goldene Blasmusik"
CD "Ich bin verrückt nach guter Blasmusik"
49,90 €
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Duration: 3:5 min
Difficulty: 3
Difficulty: 3
Article Nr: 91256
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Polkas - Stimme 1+3+4 in C - Posaune / Cello / Fagott / Bariton Diverse / Arr. Oliver Grote
Serie: Music makes the World go Round (4-stimmig gesetzte Sammelbände mit variabler Besetzung für Bläser und Streicher)
Format: DIN A4 (210 x 297 mm)
Inhalt / Content:
• Sakvická Poka - Metodej Prajka
• Slavonicka Polka - Vladimir Fuka
• Südböhmische Polka - Ladislav Kubes
• Paula Polka - Lukas Bruckmeyer
• Borsicka Polka - Josef Repa
• Gablonzer ...
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Duration: --:-- min
Difficulty: 2+
Difficulty: 2+
Article Nr: 21937127
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Polkastimmung Hans Bruss

Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Böhmisch klingen uns're Lieder' (Artikelnummer 80255) gratis!
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Duration: 2:40 min
Difficulty: 4
Difficulty: 4
Article Nr: 91022
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Polkaträume Guido Henn

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Duration: 3:31 min
Difficulty: 3
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Article Nr: 91013
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Polkatrümpfe Guido Henn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Gänsehautgefühl' (Artikelnummer 81499) gratis!
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Duration: 2:20 min
Difficulty: -
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Article Nr: 91298
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Posaunistentraum (Polka) Guido Henn
49,90 €
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Duration: --:-- min
Difficulty: 2 (2 (Solo 4+))
Difficulty: 2 (2 (Solo 4+))
Article Nr: 91281
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Powerplay (Bravourpolka) Antonin Kadlec
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Duration: --:-- min
Difficulty: 5
Difficulty: 5
Article Nr: 91282
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Pozdrav ze Spicaku (Gruß aus Spicak), Polka / Kapelo, hraj (Kapelle, spiel´), Polka Josef Jiskra / Arr. Svatopluk Radesinsky
Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 137396
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Prager Gassen / Moldau Spaziergang Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 111703
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Aufnahme: CD 'Gruß an Eger' (Rundfunk Blasorchester Leipzig)CD "Gruß an Eger" (Rundfunk Blasorchester Leipzig)
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Duration: 2:59 min
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Article Nr: 138311
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Aus dem Repertoire der "Neuen Böhmischen Blasmusik" unter der Leitung von Roland Kohler.
Eine sehr effektvolle Polka mit viel Temperament und überraschenden Momenten. Die melancholischen Teile lassen die Schönheit und Weite der Puszta spüren.
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Duration: 2:33 min
Difficulty: 3
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Article Nr: 132110
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Raphael (Polka) Thomas G. Greiner
Direktion / Score
Flöte / Flute (2x)
Oboe
Klarinette in Es / Clarinet Eb
Klarinette in B / Clarinet Bb 1 (3x)
Klarinette in B / Clarinet Bb 2 (3x)
Klarinette in B / Clarinet Bb 3 (3x)
Bassklarinette / Bass Clarinet
Fagott / Bassoon
Altsaxophon in Es / Alto Saxophon Eb 1
Altsaxophon in Es / Alto Saxophon Eb 2
Tenorsaxophon in B / Tenor Saxophon Bb 1
Tenorsaxophon in ...
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Duration: 3:33 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 91592
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Regenbogengold - Polka Rickenbacher Very
Artikel / Title: REGENBOGENGOLD
Untertitel / Subtitle:
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Polkas,Polkahits
Dauer / Duration: 3:40
Erscheinungsjahr / Year of Production: 2015
Komponist / Composer: Rickenbacher Very
Arrangeur / Arranger:
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Duration: 03:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 170940
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Regentropfen (Bravour-Polka) Franz Watz
Titel / Title: Regentropfen
Herausgeber / Publisher: Mitropa Music
Instrumentation: Concert Band/Harmonie
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Michael Klostermann und seine Musikanten
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 1998
ISMN: 9790035022306
90,99 €
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Duration: 2:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 123829
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Rosen aus der Fern mit Text/ Beim Traubenfest Robert Payer
Böhmischer Walzer mit TextBesetzungsliste / Instrumentation:
Akkordeon/Direktion in C
Flöte
Es-Klarinette
1. Klarinette (2x)
2. Klarinette (2x)
Saxophon in Es
Tenorsaxophon
1. Flügelhorn (2x)
2. Flügelhorn (2x)
1. Trompete
2. Trompete
3./4. Trompete in Es (2x)
Horn 1 in Es
Horn 2 in Es
1. Tenorhorn
2. Tenorhorn
3. Tenorhorn
Bariton in C
Bariton in B
1. Pos ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 171050
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Rosenpolka (Ruzova) Frantisek Manas
Titel / Title: Rosenpolka (Ruzova)
Komponist / Composer: Frantisek Manas
Genre: Polka
Format: A4
Aufnahme / Recording: CD Guido Henn - Magisch Böhmisch
39,90 €
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Duration: 2:28 min
Difficulty: 4
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Article Nr: 149235
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