Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Stremtal-Polka - kleine Besetzung Volksweise / Arr. Johann Bauer
"Stremtal-Polka" - eine Polka mit Gesang für Blasorchester in einer Bearbeitung von Johann Bauer.
Direktion
1. Flöte
Klarinette in Es
1. Klarinette in B
2. Klarinette inB
1. Trompete in B obligat
1. Flügelhorn in B
2. Flügelhorn in B
Tenorhorn in B
Bariton in C und Bariton in B
1. Horn in Es und F
2. Horn in Es und F
3. Horn in Es und F
1. Posaune B und C melodi ...
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Duration: 3:17 min
Difficulty: 2
Difficulty: 2
Article Nr: 177562
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in stock | delivery time 1-2 days *


Egerländer Musikantenpolka (Hostvicka) Jaroslav Tvrdy / Arr. Franz Watz
EGERLÄNDER MUSIKANTENPOLKA
Alternativer Titel: HOSTIVICKA (Originaltitel )
Alternativer Titel: HOSTIVICKA POLKA
Alternativer Titel: HOSTIWITZER POLKA
Alternativer Titel: EGERLAENDER MUSIKANTEN-POLKA
Alternativer Titel: KEINE IST SO WIE DU
Alternativer Titel: KEINE IST SO LIEB WIE DU
Komponist: Jaroslav Tvrdy
Arrangeur: Franz Watz
Original Interpret: Elmar Wolf & die ...
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Duration: 3:10 min
Difficulty: 2
Difficulty: 2
Article Nr: 106054
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Spatzen-Trio Ernst Hoffmann
Polka, Solo für 3 B-Klarinetten und Blasorchester
Wenn die Klarinettisten an diesem Stück gefallen gefunden haben wächst sicher der Wunsch, solistisch mit dem Orchester aufzutreten. Mit etwas Übung ist dieser Schritt verhältnismäßig leicht zu bewältigen.
Die Blasorchesterfassung ist nur wenig verändert; erweitert ist sie vor allem um Kadenz und Coda. Natürlich sollte der Vort ...
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 114048
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Späte Liebe (Marie Polka) Alois Aust / Arr. Franz Bummerl
ursprüngliche Mosch Ausgabe (1985) in DIN A5 quer - Format
Ernst Mosch und seine Original Egerländer Musikanten
Besetzung: Blasorchester
Komponist: Alois Aust
Arrangeur: Franz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Mittel-/Mittelstufe
Spieldauer: 2:40
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: -
Format: DIN A5
Erscheinungsjahr: ...
40,00 €
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Duration: 2:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 188521
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Entschwunden/Davno Presla Doba Karel Valdauf
"Davno presla doba" oder "Vergangen ist die Zeit" ist eine Polka von Karel Valdauf und ist mit kleiner Besetzung spielbar.Besetzungsliste / Instrumentation:
Direktion
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
3. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
1. Trompete in B
Tenorhorn in B
Bariton in C/B
1. Posaune in C/B
2. Posaune in C/B
3. Po ...
Duration: 4:05 min
Difficulty: 3
Difficulty: 3
Article Nr: 168592
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Weintrauben Polka Engelbert Wörndle
Eine der schönsten Polkas von Engelbert Wörndle.
In einem super Arrangement für Blasorchester, ist diese Polka sofort zum Ohrwurm geworden. Sehr beliebt bei großen Blaskapellen.
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Duration: 3:52 min
Difficulty: 3
Difficulty: 3
Article Nr: 170114
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Aufwind Polka Hans Krinner jun. / Arr. Mathias Rauch
39,00 €
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 207904
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in stock | delivery time 1-2 days *


Die alte Säge - Polka Markus Mikusch
30,00 €
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Duration: 3:16 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 173376
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Kleiner Schmetterling/Motylek Zdenek Gursky
Duration: 4:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 147766
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Guten Abend, gute Nacht Johannes Brahms / Arr. Alexander Stütz
Alexander Stütz (*1992) erhielt seine musikalische Ausbildung an der Musikschule Aalen und wurde von Stefan Spielmannleitner im Fach Trompete ausgebildet. Viele verschiedene Stilrichtungen prägen mittlerweile seine musikalische Laufbahn - von sinfonischer Musik bis zum Jazz. Seine größte Leidenschaft gilt jedoch der traditionellen Blasmusik. Als Trompeter und Flügelhornist ist ...
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Duration: 3:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 175733
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Stelldichein in Oberkrain (Polka-Potpourri) (Original Oberkrainer) Slavko Avsenik / Arr. Siegfried Rundel
Ein großes Polka-Potpourri mit den schönsten Melodien von Slavko Avsenik und seinen Original Oberkrainern.
Teil 1:
Trompeten-Echo
Stelldichein in Oberkrain
Franz, der Maurergsell
Auf der Autobahn
Teil 2:
In den Bergen
Tante Mizzi
Slowenischer Bauerntanz
Mit Polka durch die Welt
Inhalt: Trompeten-Echo; Stelldichein in Oberkrain; Franz, der Maurerg'sell; Auf der ...
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Duration: 8:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 103549
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Vöglein flieg' (Solopolka für Es-Klarinette) Guido Henn
49,90 €
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Duration: 3:20 min
Difficulty: 3
Difficulty: 3
Article Nr: 155783
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Darinka (Böhmische Polka) Freek Mestrini
Serie / Series: Polka - Walzer - Märsche
Aufnahme: CD 'Gruß an Eger' (Rundfunk Blasorchester Leipzig)
49,90 €
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Duration: 3:24 min
Difficulty: 3
Difficulty: 3
Article Nr: 108364
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Sterne der Heimat Ernst Mosch / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Flöte in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, 1.Flügelhorn in Bb, 2.Flügelhorn in Bb, 1.Trompete in Bb, 2.Trompet ...
46,00 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 147016
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Blasmusik ist Herzenssache Sebastian Heinzmann / Arr. Pavol Prostredny
"Blasmusik ist Herzenssache" - ganz sicher für Sebastian Heinzmann, den jungen Musikanten und Komponisten von der schwäbischen Alb. Ton für Ton zeigt er mit seinem neuesten Werk, wie vielseitig Blasmusik sein kann und fordert die Musikanten auf, dies zu fühlen und aus dem Herz heraus zu spielen.
Gewidmet hat Heinzmann die Polka seiner verstorbenen Oma, für die die Blasmusik ...
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Duration: 3:58 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 213909
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Sepp und Schani (Polka) Sepp Neumayr
Marschbuchformat
38,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 125715
in stock | delivery time 1-2 days *
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