Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Hallo kleine Maus - Polka Saso Avsenik Tommy Budin / Arr. Markus Nentwich
Hallo kleine Maus - der aktuelle Hit von "Saso Avsenik & seine Oberkrainer" mit echtem Ohrwurmcharakter in einem Arrangement von Markus Nentwich, dem bekannten Arrangeur und Komponist der sehr beliebten Polka "Eine letzte Runde". Stimmen im praktischen Marschbuch-Format 13 x 17cm. Text wird mitgeliefert.
Schon ab kleiner Besetzung spielbar.
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Duration: 2:50 min
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Article Nr: 219125
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Hallo, Ihr lieben Freunde Michael Klostermann / Arr. Franz Watz
Titel / Title: Hallo, ihr lieben Freunde
Herausgeber / Publisher: Mitropa Music
Instrumentation: Concert Band/Harmonie
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Michael Klostermann und seine Musikanten
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 2002
ISMN: 9790035025987
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Duration: 2:15 min
Difficulty: 2
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Article Nr: 138875
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Hand aufs Herz (Polka) Michael Kuhn
Mitreißende böhmische Polka aus dem Repertoire von Mathias Gronert und seiner Blaskapelle "Egerländer Gold".
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Duration: 3:22 min
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Article Nr: 91236
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Hannes Polka Jürgen Bermanseder
Die "Hannes Polka" ist eine fränkische Polka von Jürgen Bermanseder mit einem Text von Jan Els für Blasorchester.
1x Direktion / Partitur in C
2x Flöte in C
1x Klarinette in Es
3x Klarinette 1 in Bb
3x Klarinette 2 in Bb
3x Klarinette 2 in Bb
1x Altsaxophon 1 u.2 in Es
1x Tenorsaxophon 1 u.2 in Bb
3x Flügelhorn 1 in Bb
3x Flügelhorn 2 in Bb
2x Trompete 1 in Bb
2x ...
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Duration: 2:59 min
Difficulty: 3
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Article Nr: 223098
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Erfrischendes Medley im Happy Sound:
1. Anneliese
2. Rosamunde (koda Lásky)
3. Tiroler Holzhackerbuam
4. Die Fischerin vom Bodensee
5. Schützenliesel
Die Formel Happy Polka wurde von dem legendären Bandleader James Last geprägt: bekannte, traditionelle Polka-Melodien, unterlegt von einem Beat-Groove, arrangiert im Big-Band-Sound mit Dominanz der Blechbläser. Seit J ...
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Article Nr: 219866
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Franz Watz ist eine Institution der Blasmusik. Der freiberufliche Musiker, Pädagoge, Dirigent, Dozent, Juror, Komponist und Arrangeur sagt selbst: Die Musik ist für mich keine Arbeit mit festen Arbeitszeiten. Sie ist ständig in meinem Kopf und ein wichtiger Bestandteil meines Lebens. Bei zahlreichen Erfolgstiteln im traditionellen Bereich war er als Komponist oder Arrangeur b ...
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Duration: 3:20 min
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Article Nr: 99745
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Besetzung: Blasorchester
Stil / Art: Art: Polka, Böhmisch
Komponist: Hubert Wolf
Textdichter: Ino Czech
Arrangeur: Franz Watz
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Format: DIN A5
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Duration: --:-- min
Difficulty: 2+
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Article Nr: 106157
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Duration: 3:50 min
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Article Nr: 145658
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Duration: 2:38 min
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Helenen-Polka / Heimatbilder Polka Karel Stastny / Arr. Franz Watz / Gerald Weinkopf
Vergriffen (Restexemplare bei uns noch lieferbar!) / Permanently out of Print (we still sell our remaining stock)
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Article Nr: 109128
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Duration: 3:00 min
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Duration: 3:36 min
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Article Nr: 91181
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Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Gänsehautgefühl' (Artikelnummer 81499) gratis!
Bitte bestellen Sie hierzu den Artikel, die CD und zusätzlich den Artikel 211761 CD Aktion HeBu
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Duration: 3:46 min
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Article Nr: 91235
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Herzensdinge B. Peter / Arr. Franz Watz

Titel / Title: Herzensdinge
Komponist / Composer: Musik Benno Peter, Arr.: Franz Watz
Genre: Polka
Format: A4
Aufnahme / Recording: CD Guido Henn - EMOTIONS - 2009
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Emotions' (Artikelnummer 83161) gratis!
Bitte bestellen Sie hierzu den Artikel, die CD und zusätzlich den Artikel 211761 CD Aktion HeBu ...
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Duration: 2:42 min
Difficulty: 3+
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Article Nr: 151928
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Duration: 3:00 min
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Article Nr: 107309
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Heut' spielt die Blasmusik / Na Lepschi Gustav Hammerschmidt
Besetzungsliste / Instrumentation:
1./2. Flöte (Pic)
1./2. Klarinette in Es
1. Klarinette in B
2. Klarinette in B
3. Klarinette in B
1. Alt-Saxophon in Es
2. Alt-Saxophon in Es
1. Tenor-Saxophon in Es
2. Tenor-Saxophon in Es
Bariton-Sax
1. Trompete in B
2. Trompete in B
3.+4. Trompete in B
1. Tenorhorn in B
2.+3. Tenorhorn in B
1. Flügelhorn in B
2. Flügelhorn ...
Duration: 3:00 + 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 97929
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