Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Herrliche Jugendzeit (Polka) Michael Kuhn
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Duration: 3:36 min
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Herz-Ass (Polka) Michael Kuhn
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Duration: 3:46 min
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Herzensdinge B. Peter / Arr. Franz Watz

Titel / Title: Herzensdinge
Komponist / Composer: Musik Benno Peter, Arr.: Franz Watz
Genre: Polka
Format: A4
Aufnahme / Recording: CD Guido Henn - EMOTIONS - 2009
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Duration: 2:42 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 151928
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Herzweh-Polka Slava Tkacuk
Ernst Mosch
Herzweh-Polka
Besetzung / Instrumentation:Blasorchester
Stil / Art: Art: Polka, Böhmisch
Komponist: Slava Tkacuk Arrangeur: Bernhard Knittel
Schwierigkeitsgrad: Mittelstufe
3Dauer: 00:02:43
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
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Hesselbach-Polka Willy Czernik
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Duration: 3:00 min
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Heut' spielt die Blasmusik / Na Lepschi Gustav Hammerschmidt
Besetzungsliste / Instrumentation:
1./2. Flöte (Pic)
1./2. Klarinette in Es
1. Klarinette in B
2. Klarinette in B
3. Klarinette in B
1. Alt-Saxophon in Es
2. Alt-Saxophon in Es
1. Tenor-Saxophon in Es
2. Tenor-Saxophon in Es
Bariton-Sax
1. Trompete in B
2. Trompete in B
3.+4. Trompete in B
1. Tenorhorn in B
2.+3. Tenorhorn in B
1. Flügelhorn in B
2. Flügelhorn ...
Duration: 3:00 + 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 97929
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Hezky od podlahy (Schön von Grund auf - Polka) / Muj milý konicku (Mein liebes Pferdchen), Walzer Jaroslav Jankovec / Arr. Karel Melisek / Svatopluk Radesinsky
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Hoffmannstropfen Ernst Hoffmann
Solistenpolka für drei Posaunen
Duration: 3:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 158455
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Horicka (Polka) Thorsten Reinau
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Duration: 2:32 min
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Article Nr: 91086
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Hornissen-Polka (Solo für 2-4 Hörner und Blasorchester) Martin Scherbacher
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Hostivická (Polka) / Vyznani (Liebeserklärung), Walzer Jaroslav Tvrdy
Jaroslav Tvrdý / Villiam Béres & Josef Zajicek
Tschechische und Mährische Blasmusik
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Article Nr: 97524
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Hubert Wolf - Polkamelodien Hubert Wolf / Arr. Klaus Rambacher
Inhalt / Content:
• Wilde Rosen aus Böhmen (Musik: Wenzel Valcek)
• Annamirl-Polka (Musik: Wenzel Valcek)
• Bruoda Liederle (Musik: Wenzel Valcek)
Besetzungsliste / Instrumentation:
Direktion / Score
Flöte / Flute (2x)
Oboe
Klarinette in Es / Clarinet Eb
Klarinette in B / Clarinet Bb 1 (3x)
Klarinette in B / Clarinet Bb 2 (3x)
Klarinette in B / ...
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Difficulty: 3
Difficulty: 3
Article Nr: 177796
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Hunsrücker Geschichten (Polka) Guido Henn
Lassen Sie sich mit dieser wunderschönen Polka in den Hunsrück entführen.
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Duration: 2:10 min
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Article Nr: 91001
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Hüttenpolka Robert Payer / Arr. Lothar Gottlöber
Original Burgenlandkapelle, Polka mit TextBesetzungsliste / Instrumentation:
Direktion in C
Flöte
Es-Klarinette
1. Klarinette (2x)
2. Klarinette
3. Klarinette
Saxophon in Es 1
Saxophon in Es 3 = 2. Stimme
Tenorsaxophon in B 2 = 1. Stimme
Baritonsaxophon
1. Flügelhorn (2x)
2. Flügelhorn
Piston in Es
1. Trompete (2x)
2. Trompete
3. Trompete
Horn 1 in Es
Horn ...
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Ich liebe es böhmisch (Polka) Michael Kuhn
Titel / Title: Ich liebe es böhmisch
Komponist / Composer: Michael Kuhn
Genre: Polka
Format: A4
Aufnahme / Recording: CD Henn 2011 - Musikantensehnsucht
'Ich liebe es böhmisch' ist eine Polka von Michael Kuhn, ein Original-Arrangement von 'Guido Henn und seine Goldene Blasmusik'.
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Duration: 3:48 min
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