Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Drei Optimisten Eduard Scherzer
Polka für 3 Klarinetten und Blasorchester.
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Difficulty: -
Article Nr: 145893
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Dudácká-Dudelsackpolka - Konzert für zwei Klarinetten Anonymus / Arr. Miroslav Kolstrunk jun.
Titel / Title: Dudácká-Dudelsackpolka - Konzert f. zwei Klarinetten
Alternative Titel: Dudelsackpfeifer (Polka)
Komponist / Composer: Nr. 1, 2, 3 - Anonym, Nr. 4 und Arr.: J. Novák
Genre: Polka
Format: A4
Aufnahme / Recording: CD Orch. Holger Mück - Von ganzem Herzen Blasmusik + CD Blech & Brass Banda Nr. 3
U 214-95
49,90 €
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Duration: --:-- min
Difficulty: 4+
Difficulty: 4+
Article Nr: 142477
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Dva salecky (Zwei Tüchlein), Marsch / Slavonická Polka Vladimir Fuka / Arr. Mila Cink / Svatopluk Radesinsky
Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 137385
permanently out of print *
permanently out of print *
Eddi-Polka - traditionelle Besetzung Edgar Wehrle
nur als Download direkt beim Originalverlag verfügbar.
Die "Eddi-Polka" von Edgar Wehrle ist mit traditioneller Besetzung spielbar.
54,00 €
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Duration: 2:41 min
Difficulty: 3
Difficulty: 3
Article Nr: 175536
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Egerländer Bauerntanz (Blasorchester) Markus Ringer / Arr. Franz Gerstbrein
Der Egerländer Bauerntanz ist eine leicht zu spielende Polka für zwischendurch; aufführbar ab fünf Instrumenten (1./2. Flügelhorn, Tenorhorn, Bariton und Tuba). Das Stück, komponiert als Tanzpolka historischer Art, erinnert an die Tanzbodenmusik früherer Tage. Eingerichtet im Marschbuchformat ist der Egerländer Bauerntanz ein flexibel einsetzbarer Titel für viele Anlässe.
Ge ...
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Duration: 2:25 min
Difficulty: 2
Difficulty: 2
Article Nr: 219202
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Egerländer Festtagspolka Ernst Hutter
49,90 €
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Duration: 3:23 min
Difficulty: 3
Difficulty: 3
Article Nr: 228621
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Egerländer Musikantenfest Holger Mück / Arr. Alfred Böswald
Titel / Title: Egerländer Musikantenfest
Komponist / Composer: M.:Mück, Böswald / Arr.:Böswald
Genre: Polka
Format: A4
Aufnahme / Recording: CD Holger Mück - CD Egerländer Musikantenfest - 2009
59,90 €
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Difficulty: 3+
Difficulty: 3+
Article Nr: 155323
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Egerländer Spatzen Frank Pleyer / Arr. Frank Pleyer
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Flöte in C, Piccolo in C, Oboe in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, Fagott in C, 1.Flügelhorn in Bb, 2.Flügelh ...
46,00 €
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 153938
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Egerländer Spielereien Ernst Hutter / Arr. Toni Scholl
Egerländer Spielereien ist eine technisch anspruchsvolle und farbenreiche Polka vom Komponisten-Duo Ernst Hutter und Toni Scholl.
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Duration: 2:44 min
Difficulty: 4
Difficulty: 4
Article Nr: 141745
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Egerländer Trachtenpolka / Im Rosengarten Franz Bummerl / Arr. Franz Bummerl
Egerländer Trachtenpolka
Besetzung: Blasorchester
Stil/Art: Polka, Böhmisch
Komponist: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 02:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Im Rosengarten
Besetzung: Blasorchester
Stil/Art: Walzer, Böhmisch
Komponist: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
...
50,00 €
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Duration: 2:41 & 2:59 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 110190
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Egerländer Trumpf (Polka) Guido Henn
Besetzungsliste / Instrumentation:
Direktion / Score
Flöte / Flute (2x)
Oboe
Klarinette in Es / Clarinet Eb
1. Klarinette in B / Clarinet Bb (3x)
2. Klarinette in B / Clarinet Bb (3x)
3. Klarinette in B / Clarinet Bb (3x)
Bassklarinette in B / Bass Clarinet Bb
Fagott / Bassoon
1. Altsaxophon in Es / Alto Saxophon Eb
2. Altsaxophon in Es / Alto Saxophon Eb
1. ...
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Duration: 3:08 min
Difficulty: -
Difficulty: -
Article Nr: 163079
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Ein Brummiger Alter (Tubasolopolka) / Polterabend (Polka) Josef Holotschek / Arr. Paul Römer
Serie: Musik aus dem Egerland
Format: 300 x 230 mm
30,00 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 134964
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Ein Festival der Blasmusik (Polka) Roland Kohler / Arr. Thorsten Reinau
49,90 €
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Duration: 2:38 min
Difficulty: 3
Difficulty: 3
Article Nr: 137364
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Ein Herz für Blasmusik Mathias Rauch
Wunderschöne einfache Polka im typischen Stil von Mathias Rauch.
Für jedes Blasorchester oder Böhmische Besetzung gut spielbar.
Polka mit Ohrwurmcharakter!!!
59,90 €
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Duration: 3:27 min
Difficulty: 3
Difficulty: 3
Article Nr: 174874
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Ein Herz voll Blasmusik Franz Sprenzinger / Arr. Franz Sprenzinger
Wie diese Polka heisst eine CD der Bierzeltmusikanten, die im Jahr 2017 erschienen ist: "Ein Herz voll Blasmusik". Und das ist doch ein wirklich schönes Bild, das wahrscheinlich auf jeden Komponisten zutrifft, in diesem Fall aber ganz besonders auf Franz Sprenzinger, den Kapellmeister der Bierzeltmusikanten, der immer wieder sein Herz ausschüttet und das, wovon sein Herz voll i ...
39,00 €
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Duration: 4:13 min
Difficulty: 3
Difficulty: 3
Article Nr: 178746
in stock | delivery time 1-2 days *
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Ein Hoch der Blasmusik Franz Sprenzinger / Arr. Franz Sprenzinger
Die gute alte Blasmusik, vielfach besungen und gelobt ist sie seit vielen Jahren fester Teil in der bayerischen Wirtshaus- und Bierzeltkultur. Freuen Sie sich auf eine beschwingte Polka und lassen Sie die Blasmusik musikalisch hoch leben. Eine gefällige Komposition von Franz Sprenzinger. Die Blasmusik - sie lebe hoch, hoch, hoch! Ein Aufnahme gibt es zu hören auf der CD "Ein He ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 164906
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