Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Es war einmal... (Polka) Guido Henn
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Es-As-Polka Bedrich Ondracek / Arr. Franz Bummerl
Die Es-As Polka ist ein alter Klassiker von Ernst Mosch und seinen Original Egerländer Musikanten. Sie ist ein schwungvolles Stück, das nach seinen beiden Haupttonarten Es und As benannt ist.
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch,
Komponist: Bedrich OndracekGerald Weinkopf
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:56
Interpret: Ernst Mosch ...
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Euch zum Dank (Polka) Norbert Gälle / Arr. Mathias Gronert
Brandneue Polka von Norbert Gälle, Komponist des "Böhmischen Traums".
Damit will der Erfolgskomponist einmal ein grosses, musikalisches Dankeschön an alle seine Blasmusik-Freunde und die vielen Fans der Scherzachtaler sagen.
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Ewig Blasmusik - Polka Jürgen Brunner
Traditionsbewusst und doch innovativ, mit einer persönlichen Note an Klängen. Lebendig aber nicht zu virtuos. Das ist die ursprüngliche Idee der neuen Fegerländer Polka "Ewig Blasmusik".
Diese Komposition von Jürgen Brunner erinnert an die Wurzeln der böhmischen Blasmusik, zeigt aber zugleich die unendlichen Möglichkeiten, betont durch Melancholie und Träumerei
im Abschlu ...
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Fanclub - Polka Guido Henn
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Federweißer-Polka Thomas Zsivkovits
Federweisser Polka
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Fegerländer Musikant Walter Grechenig
Walter Grechenigs neue mitreißende Polka "Fegerländer Musikant" hat das Potenzial zum neuen Festzelt-Hit.
Die Fegerländer sind eine junge volkstümliche Blasorchester-Bigband aus dem österreichischen Kärnten. Unter dem Motto Der Blasmusik-Schlager vereinen die 13 Musiker volkstümliche Blasmusik auf hohem Niveau mit moderner Schlager-Bigband-Musik. Sie begeistern ihr Publiku ...
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Feierabend Polka Guido Henn
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Feierabend-Polka Hans Bruss
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Ferdinand Johannes Grechenig / Arr. Walter Grechenig
Walter Grechenig und seine Fegerländer sind eine junge Blasorchester Big Band aus dem österreichischen Kärnten. Unter dem Motto Der Blasmusik-Schlager vereinen die 13 Musiker böhmische Blasmusik auf hohem Niveau mit moderner Schlager-Big-Band-Musik. Die Fegerländer gewannen in ihrer jungen Laufbahn bereits namhafte Wettbewerbe wie Das Goldene Flügelhorn und sind Europameister d ...
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Ferienzeit (Polka) Thomas G. Greiner
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Festkracher Kurt Gäble
Schnellpolka
Gewidmet dem Musikverein "Eintracht" Konzen 1874 e.V. zum 150-jährigen Jubiläum.
Der Rheinländer lässt es gerne krachen. Schließlich muss man die Feste feiern, wie sie fallen. In der Eifel muss dann auch die Blasmusik aufspielen. Denn ohne Musik geht nichts. Dies gilt ganz besonders für das Dorf Konzen, gelegen am Nordrand der Eifel zwischen dem Nationalpark ...
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Festwirt Polka Franz Bummerl / Arr. Franz Bummerl
Ernst Mosch u.s. Original Egerländer Musikanten
Ernst Mosch u.s. Original Egerländer Musikanten
Partitur, Direktion in C, Flöte in C, Oboe, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, Fagott,
1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, 1. Trompete in B, 2. Trompete in B, 1. ...
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Feuerfest Polka Josef Strauss / Arr. Yo Kitano
Joseph Strauß (Vienna 1827-1870), the second son of Johann Strauß Senior, was active as an engineer and an architect before getting in the wake of his illustrious father and brother. The Feuerfest Polka was composed especially for Wertheim & Co, a firm in fireproof (feuerfest) safes.
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Feuerfest! Josef Strauss / Arr. Jos van de Braak
Titel / Title: Feuerfest!
Untertitel / Subtitle: Polka Francaise
Herausgeber / Publisher: Baton Music
Instrumentation: concert band
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Baton Music orchestral seriesJosef Strauss (1827-1870) was an Austrian composer, son of Johann Strauss ('Vater') and brother of Johann jr. and Eduard. Josef joined the 'Strauss' family orches ...
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Feuerfest-Polka, Op. 269 Josef Strauss / Arr. Freek Mestrini
Polka française (1869)
Feuerfest-Polka, Op. 269
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Konzertpolka
Komponist: Josef Strauss, Op. 261Freek Mestrini
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:02:56
Aufnahme: EWO Disc 11 (CD8011)
Format: DIN A4
Erscheinungsjahr: -
Die Feuerfest Polka Op. 269 wurde 1869 von Josef Strauss als Auftragskompositio ...
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