Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Fernweh Polka Mathias Gronert
Eine wundervolle Melodie von Mathias Gronert, die das starke
Gefühl beschreibt, das irgendwo in uns allen ruht.
Träumen Sie musikalisch mit.
38,50 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 168360
available in 2 days *
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Clear Track Polka (Bahn Frei) Eduard Strauß (Strauss) / Arr. Alfred Reed
An absolute delight from start to finish! Alfred Reed's peerless arrangement of this great Strauss gem is great fun for the performers and audiences alike! This one will get the audience movin'!
92,50 €
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Duration: 2:37 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 136484
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Perger Polka Kurt Gäble
Gewidmet der Stadtkapelle Perg (Oberösterreich) im Auftrag der Krückl Bau GmbH
Die Stadtgemeinde Perg liegt im oberösterreichischen sogenannten unteren Mühlviertel am nördlichen Rande des Machlandes und zählt knapp 9000 Einwohner. Den Namen verdankt Perg den Herren von Perge und die wirtschaftliche Bedeutung ab dem 14. Jahrhundert unter anderem der Mühlsteinbrecher- und Hafner ...
75,00 €
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Duration: 4:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 182324
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Ohne Sorgen Josef Strauss / Arr. Tony Cheseaux
Schnell Polka
96,03 €
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Duration: 1:42 min
Difficulty: 3
Difficulty: 3
Article Nr: 154262
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Genieß Dein Leben jeden Tag - traditionelle Besetzung Helmut Kassner
50,00 €
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Duration: 2:35 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 186540
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In einem kleinen Städtchen irgendwo Michael Klostermann / Arr. Michael Klostermann
Titel / Title: In einem kleinen Städtchen irgendwo - Marschlied
Herausgeber / Publisher: Mitropa Music
Instrumentation: Blaskapelle
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Michael Klostermann und seine Musikanten
Produkttyp / Product: Partitur + Stimmen
Sprache / Language: German
Erscheinungsdatum / Date of Production: 2018
ISMN: 9790035238806
Marschlied
Blas ...
77,99 €
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Duration: 2:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 183191
available in 7 days *
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Eisblumen (Polka) Jörg Bollin
Böhmische Polka aus der aktuellen CD "Sternstunden". Originalnoten von Jörg Bollin und "Das Mährische Feuer".
39,95 €
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Duration: 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 161485
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Studentenleben Markus Radiske
Eine neue und äußerst schöne und interessante Polka von Markus Radiske. Das Leben als Student muss interessant und abwechslungsreich sein, wenn man diese Polka als Maßstab nimmt. Besonderes Markenzeichen ist eine geniale und - meiner Einschätzung nach - im Rahmen einer Polka-Komposition noch nie verwendete Harmoniefolge im Trio.
39,00 €
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Duration: 4:13 min
Difficulty: 3
Difficulty: 3
Article Nr: 175549
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Der Berg (g)ruft Alexander Pfluger
Titel / Title: Der Berg (g)ruft - Große Blasorchesterbesetzung
Der Berg (g)ruft - Marsch-Polka von Alexander Pfluger - gewidmet der Trachtenkapelle Amrigschwand Tiefenhäusern.
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb T ...
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Duration: 4:16 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 203246
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Solopolka für
• Flügelhorn und Tenorhorn oder
• 2 Flügelhörner oder
• Tenorhorn und Bariton
Besetzungsliste / Instrumentation:
Direktion / Score
Solo Flügelhorn 1
Solo Flügelhorn 2
Solo Tenorhorn
Solo Bariton in C / B
Flöte / Flute (2x)
Oboe
Klarinette in Es / Clarinet Eb
1. Klarinette in B / Clarinet Bb (3x)
2. Klarinette in B / Clarinet Bb (3x)
3. Klarin ...
49,90 €
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Duration: 3:55 min
Difficulty: 3
Difficulty: 3
Article Nr: 155048
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Heut ist unser Hochzeitstag (auch bekannt als:) Die Kapelle hat gewonnen (Vyhravala Kapela) / Es war im Böhmerwald Antonin Borovicka / Arr. Franz Bummerl
Titel 2 mit Text-/Gesangsstimmen
Heut ist unser Hochzeitstag (Die Kapelle hat gewonnen) (Polka) / Es war im Böhmerwald (Walzer)
Doppelausgabe
Heut ist unser Hochzeitstag / Es war im Böhmerwald
Heut ist unser Hochzeitstag (Die Kapelle hat gewonnen)
Besetzung / Instrumentation: Blasorchester
Stil / Art: Art: Polka mit Gesang, Böhmisch
Komponist: Antonin Borovicka
Texterdicht ...
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Duration: 3:00 + 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 132657
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Das Goldene Flügelhorn Walter Grechenig
Die Fegerländer sind eine junge volkstümliche Blasorchester-Bigband aus dem österreichischen Kärnten. Unter dem Motto Der Blasmusik-Schlager vereinen die 13 Musiker volkstümliche Blasmusik auf hohem Niveau mit moderner Schlager-Bigband-Musik. Sie begeistern ihr Publikum mit einem unverkennbaren Sound, tollen Arrangements und kreativen Eigenkompositionen.
Die Fegerländer erla ...
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Duration: 2:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 171593
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Japan-Polka (based on Japanese Folk Songs) Siegmund Andraschek
Polka in bester Strauss Tradition. Basiert auf Japanischen Volksliedern.
Polka in bester Strauss Tradition. Basiert auf Japanischen Volksliedern.
49,90 €
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Duration: 03:10 min
Difficulty: 3
Difficulty: 3
Article Nr: 91477
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Gablonzer Perlen (Snad Vzpomenes) Antonin Borovicka / Arr. Franz Bummerl
Besetzung:Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Antonín Borovicka
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Mittelstufe 3
Spieldauer: 00:03:50
Interpret: Ernst Mosch und seine Original Egerländer Musikanten & Elmar Wolf und seine Egerländer
Aufnahme: CD Die schönsten Polkas & Walzer der Welt (Elmar Wolf & die Neuen Egerländer)Format: DIN A4Besetzungsl ...
50,00 €
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Duration: 3:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 98975
in stock | delivery time 1-2 days *
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Musikantentraum (Vajnorska Polka) Karol Padivy
Padivys wohl bekannteste und genialste Polkakomposition
59,00 €
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Duration: 4:00 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 139408
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Unvergesslich Böhmisch - Blasorchester Bastian Wendt / Arr. Mathias Rauch
"Unvergesslich Böhmisch" ist eine Polka für Blasorchester von Mathias Rauch, Norbert Rabanser und Bastian Wendt im Arrangement von Mathias Rauch.
59,90 €
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Duration: 4:08 min
Difficulty: 2
Difficulty: 2
Article Nr: 185552
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