Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Böhmische Launen Hans Rückauer
Böhmische PolkaBesetzungsliste / Instrumentation:
Direktion in C
Flöte C / Picc. / Flöte Des / Picc.
Oboe
Es-Klarinette
1. Klarinette (2x)
2. Klarinette (2x)
3. Klarinette (2x)
Saxophon in Es 1
Saxophon in Es 3 = 2. Stimme
Tenorsaxophon 2 = 1. Stimme
Tenorsaxophon 4 = 2. Stimme
Baritonsaxophon
1. Flügelhorn (2x)
2. Flügelhorn
1./2. Trompete (2x)
3./4. Trompete ...
19,90 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 171013
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in stock | delivery time 1-2 days *


Beim Traubenfest ( siehe 171050) Robert Payer
Polka, original BurgenlandkapelleBesetzungsliste / Instrumentation:
Akkordeon/Direktion in C
Flöte
Es-Klarinette
1. Klarinette (2x)
2. Klarinette (2x)
Saxophon in Es
Tenorsaxophon
1. Flügelhorn (2x)
2. Flügelhorn (2x)
1. Trompete
2. Trompete
3./4. Trompete in Es (2x)
Horn 1 in Es
Horn 2 in Es
1. Tenorhorn
2. Tenorhorn
3. Tenorhorn
Bariton in C
Bariton in B
...
21,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 171011
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available in 4 days *


Aus tiefem Herzen / Burgenländer Walzerrhythmen Robert Payer
Polka, original BurgenlandkapelleBesetzungsliste / Instrumentation:
Akkordeon/Direktion in C
Flöte
Es-Klarinette
1. Klarinette (2x)
2. Klarinette (2x)
Saxophon in Es 1
Tenorsaxophon
1. Flügelhorn (2x)
2. Flügelhorn
1. Trompete
2. Trompete
3./4. Trompete in Es (2x)
Horn 1 in Es
Horn 2 in Es
1. Tenorhorn
2. Tenorhorn
3. Tenorhorn
Bariton in C
Bariton in B
1. ...
21,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 171009
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in stock | delivery time 1-2 days *


Annen-Polka Johann Strauß / Strauss (Sohn) / Arr. Jos van de Braak
Titel / Title: Annen-Polka
Untertitel / Subtitle: Opus 117
Herausgeber / Publisher: Baton Music
Instrumentation: concert band
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Baton Music orchestral seriesStrauss composed the Annen-Polka in 1852 to celebrate the day of St. Anne. The Annen-Polka was quite popular right from its premiere in 1852 when the Viennese news ...
95,23 €
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Duration: 4:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 170988
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in stock | delivery time 1-2 days *


Jurablick Polka Mario Bürki
Artikel / Title: JURABLICK POLKA
Untertitel / Subtitle:
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: mf New Music for Band 2019-2020,Polkahits,Volkstümlich,Polkas,Musik im Marschformat,Schweizer Hits
Dauer / Duration: 03:10
Erscheinungsjahr / Year of Production: 2013
Komponist / Composer: Bürki Mario
Arrangeur / Arranger:
77,00 €
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Duration: 03:10 min
Difficulty: 3
Difficulty: 3
Article Nr: 170944
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in stock | delivery time 1-2 days *


Boarisch Hias Polka Traditional / Arr. Timo Seegers
Artikel / Title: BOARISCH HIAS POLKA
Untertitel / Subtitle: Bavarian Polka
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Musik im Marschformat,Volkstümlich
Dauer / Duration: 03:15
Erscheinungsjahr / Year of Production: 2014
Komponist / Composer: Traditional
Arrangeur / Arranger: Timo Seegers
77,00 €
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Duration: 03:15 min
Difficulty: 3
Difficulty: 3
Article Nr: 170942
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in stock | delivery time 1-2 days *


Amboss Polka Albert Parlow / Arr. Ueli Kipfer
Artikel / Title: AMBOSS POLKA
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Polkas
Dauer / Duration: 03:00
Erscheinungsjahr / Year of Production: 2013
Komponist / Composer: Parlow Albert
Arrangeur / Arranger: Kipfer Ueli
77,00 €
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Duration: 03:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 170939
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in stock | delivery time 1-2 days *


Glücksschmied-Polka Gottfried Hummel
Polka mit Gesang & Amboss
Über die Suche nach dem Glück sind schon unzählige Bücher und Lieder geschrieben worden. Der Komponist und Texter Gottfried Hummel sagt in seiner Polka, dass es genügt Optimist zu sein und dass die Musik immer eine Hilfe sein kann.
Schon Schubert sagte: Wer die Musik liebt, ist nie ganz unglücklich. Recht hat er!
Diese Polka wird sicher dazu beit ...
38,50 €
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Duration: 2:30 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 170820
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available in 3 days *


Velikonocní-Polka (Oster-Polka) Antonin Orsag / Arr. Freek Mestrini
Mährische Polka auch bekannt als "Oster-Polka"
Eine sehr wirkungsvolle, typisch mährische Polka aus den Repertoire der bekannten Blaskapelle GLORIA aus Tschechien.
Die neue, zeitgemäße Einrichtung dieses Titels durch Freek Mestrini ist auch in kleiner, traditioneller Besetzung bereits gut spielbar!
45,00 €
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Duration: --:-- min
Difficulty: 3+
Difficulty: 3+
Article Nr: 170777
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available in 3 days *


Egerländer Frühschoppen-Polka Freek Mestrini
Böhmische Polka
Auf Wunsch seines langjährigen Musikerkollegen, Dr. Detlef Marburger, komponierte Freek Mestrini diese typisch böhmische Polka.
Im Stil seiner bekannten Komposition Daheim in Böhmen wird auch diese Polka Musiker und Publikum gleichermaßen begeistern!
45,00 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 170766
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available in 3 days *


Frühlingsträume (Polka) Peter Schad
33,50 €
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Duration: 3:50 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 170729
available in 4 days *
available in 4 days *


Geschenk aus Mähren Antonin Zavodny
Volkstümliche Polka
38,00 €
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 170629
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available in 4 days *


Pratelum Polka Jaroslav Zeman
35,90 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 170464
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Böhmisch gelaunt Leonhard Schmid / Arr. Mathias Rauch
Eine pfiffige, frische böhmische Polka des jungen bayerischen Komponisten Leonhard Schmid in einem anspruchsvollen Arrangement von Mathias Rauch.
Eingespielt auf dem neuen Album von 'Die jungen Pfaffenwinkler'
29,90 €
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 170178
available in 5 days *
available in 5 days *


Am Stammtisch Timo Dellweg
Titel / Title: Am Stammtisch
Komponist / Composer: Timo Dellweg
Genre: Polka
Format: A4
Aufnahme / Recording: CD Michael Maier und seine Blasmusikfreunde
32,50 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 170174
available in 5 days *
available in 5 days *


Unterm Nussbaum (Böhmische Polka) Franzi Scala / Arr. Guido Henn
49,90 €
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plus shipping
Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 170116
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


* Information on availability is based on previous experiences. Prices and availability are subject to change without notice!