Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Dornröschen Polka Traditional / Arr. Sebastian Höglauer
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, Fagott in C,
1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
39,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 172524
available in 7 days *
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Milca Polka Traditional / Arr. Georg Obermüller
Obermüller Musikanten
Noten Blasmusikausgabe
Partitur, Direktion in C, Flöte in C, Oboe in C, Klarinette in Es, 1. Klarinette in B, 2. Klarinette in B, 3. Klarinette in B, 1. Altsaxophon in Es, 2. Altsaxophon in Es, 1. Tenorsaxophon in B, 2. Tenorsaxophon in B, Baritonsaxophon in Es, Fagott in C,
1. Trompete in B, 2. Trompete in B, 3. Trompete in B, 1. Flügelhorn in B, 2. Flü ...
39,00 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 172519
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BIREWEGGE POLKA Traditional / Arr. Derek M. Broadbent
Artikel / Title: BIREWEGGE POLKA
Untertitel / Subtitle: APPLEPIE POLKA
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Volkstümlich,Polkas,Musik im Marschformat,Schweizer Hits
Dauer / Duration: 02:07
Erscheinungsjahr / Year of Production: 2013
Komponist / Composer: Traditional
Arrangeur / Arranger: Broadbent Derek
73,00 €
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Duration: 02:07 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 172431
available in 24 days *
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PLEASURE TRAIN POLKA Johann Strauß / Strauss (Sohn) / Arr. Bruce Fraser
Artikel / Title: PLEASURE TRAIN POLKA
Untertitel / Subtitle: VERGNÜGUNGSZUG
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Polkas
Dauer / Duration: 03:00
Erscheinungsjahr / Year of Production: 2014
Komponist / Composer: Strauss Johann Jr.
Arrangeur / Arranger: Fraser Bruce
90,00 €
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Duration: 03:00 min
Difficulty: 4
Difficulty: 4
Article Nr: 172357
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POLKA POTPOURRI Johann Strauß / Strauss (Sohn) / Arr. Jonathan Smith
Artikel / Title: POLKA POTPOURRI
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Polkas,Klassik
Dauer / Duration: 05:00
Erscheinungsjahr / Year of Production: 2014
Komponist / Composer: Strauss Johann
Arrangeur / Arranger: Smith Jonathan
118,00 €
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Duration: 05:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 172193
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


ZWEI EMMENTALER POLKAS Traditional / Arr. Bruce Fraser
Artikel / Title: ZWEI EMMENTALER POLKAS
Untertitel / Subtitle: Lüdere Polka, Schwand Polka
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Schweizer Hits,Polkas,Volkstümlich
Dauer / Duration: 05:00
Erscheinungsjahr / Year of Production: 2013
Komponist / Composer: Traditional
Arrangeur / Arranger: Fraser Bruce
90,00 €
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Duration: 05:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 172172
available in 24 days *
available in 24 days *


Bürgenstock Polka Traditional / Arr. Ivo Huonder
Artikel / Title: BÜRGENSTOCK POLKA
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Volkstümlich,Polkas,Musik im Marschformat,Schweizer Hits
Dauer / Duration: 02:40
Erscheinungsjahr / Year of Production: 2004
Komponist / Composer: Traditional
Arrangeur / Arranger: Huonder Ivo
73,00 €
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Duration: 02:40 min
Difficulty: 2
Difficulty: 2
Article Nr: 172162
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Hubavenka-Polka Thomas G. Greiner
Sie ist der kleinen und holzfreien Formation "Hubavenka" gewidmet. Die Polka ist im gemütlichen alten mährischen Stil gehalten und leistet somit einen kleinen Beitrag, dem "höher-schneller-lauter"-Mainstream entgegen zu wirken. Eine sehr schöne Einspielung gibt es von Anton Gälle und seiner Scherzachtaler Blasmusik (CD "Zeit für uns").
39,00 €
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Duration: 2:55 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 172138
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available in 11 days *


Musikantenzeit Otwin Balser / Arr. Frank Ecker
Bestens als Eröffnungstück ihres Konzerts geeignet - 5 große Trommelschläge als Einleitung werden ihr Publikum überraschen!
Musikantenzeit
Die Polka 'Musikantenzeit' eignet sich als Eröffnungstück für ein Konzert. Fünf große Trommelschläge als Einleitung werden Ihr Publikum überraschen!
40,00 €
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Duration: 2:17 min
Difficulty: 3
Difficulty: 3
Article Nr: 172130
available in 5 days *
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Böhmisch-Mährisch muss es sein Frantisek Manas / Arr. Bernhard Knittel
Böhmisch-Mährisch muss es sein
Besetzung / Instrumentation:Blasorchester
Stil / Art: Art: Polka, Böhmisch, Mährisch
Komponist: Frantisek ManasArrangeur: Bernhard Knittel
Schwierigkeitsgrad: Mittelstufe
3
Spieldauer: 00:03:30
Interpret: -
Format: DIN A4
František Manas hielt enge freundschaftliche Verbindungen nach Südmähren - sowohl privat als auch musikalisch. Aus di ...
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Duration: 3:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 172129
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Rumpelstilzchen-Polka Frantisek Manas / Arr. Bernhard Knittel
Rumpelstilzchen-Polka
Frantiek Manas komponierte die Polka ze zádovic (Polka aus Zadovice) durch eine freundschaftliche Verbindung nach Zadovice in Südmähren. Bei der Übernahme des Werkes durch Orchester in Deutschland fiel auf, dass einige Passagen dieser brillanten Polka an den Tanz von Rumpelstilzchen ums Feuer erinnert. Somit erhielt die Polka aus Zadovice ihren Namen Rumpe ...
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Duration: 2:13 min
Difficulty: 4
Difficulty: 4
Article Nr: 172128
available in 5 days *
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Witkowitzer Kirchweih Gerald Weinkopf / Arr. Bernhard Knittel
Witkowitzer Kirchweih
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Gerald Weinkopf
Arrangeur: Bernhard Knittel
Schwierigkeitsgrad: Mittelstufe
3
Dauer: 00:02:44
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Eines der ersten Werke, welches von Ernst Mosch in den 50er Jahren in das Repertoire der Original Egerländer Musikan ...
40,00 €
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Duration: 2:44 min
Difficulty: 3
Difficulty: 3
Article Nr: 172127
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Furioso Polka Johann Strauß / Strauss (Sohn) / Arr. Jos van de Braak
Titel / Title: Furioso Polka
Herausgeber / Publisher: Baton Music
Instrumentation: Concert Band
Produkttyp / Product: Partitur + StimmenThe Furioso-Polka op. 260 is a fast polka by Johann Strauss jr. which was performed for the first time in Pavlovsk, near St. Petersburg, at a charity concert in 1861. The brilliant orchestration of this piece and the way it can unleash, to pull ...
84,53 €
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Duration: 2:30 min
Difficulty: 3
Difficulty: 3
Article Nr: 171950
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available in 6 days *


Du musst bleiben (Strananka) - Polka Ladislav Kubes
41,73 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 171909
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Muttertags-Polka Rudi Fischer / Arr. Franz Watz
Böhmische Polka
Passend zum Tag zu Ehren der Mutter am zweiten Sonntag im Mai hat Rudi Fischer diese im ruhigeren Tempo gehaltene, interessante Polka geschrieben.
Ein Meisterwerk seiner Gattung, was die Bereiche Melodik, Harmonik und deren Bearbeitung von Franz Watz betrifft. Eine Bravour-Polka voll innerer Spannung, die den Musikern einiges abverlangt.
Ein Titel, der nicht ...
38,50 €
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Duration: 3:30 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 171867
available in 3 days *
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Mit Blasmusik im Herzen Alexander Pfluger / Arr. Alexander Pfluger
Mit Blasmusik im Herzen - diese leicht zu spielende, schwungvolle Polka aus der Feder von Alexander Pfluger läutet unsere neue Serie ADVENTURE ein. ADVENTURE eignet sich besonders für Orchester die sich eine Leistungsstufe über unserer sehr erfolgreichen Serie YOUNG STARS - Blasmusik for Kids befinden, gleichermaßen aber auch für Orchester im mittleren Leistungsniveau die leich ...
36,00 €
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Duration: 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 171581
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