Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen.
Die neue Serie RUNDELs Kleine Blasmusik bietet daher faszinierende Möglichkeite ...
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Duration: 2:46 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 178951
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Mit böhmischer Gemütlichkeit - Polka Michael Kuhn
35,00 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 178921
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Herbstfarben - Polka Tanja Dusel / Arr. Stefan Stranger
24,00 €
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Duration: 5:01 min
Difficulty: 2
Difficulty: 2
Article Nr: 178745
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Appenzeller Polka Alexander Pfluger / Arr. Alexander Pfluger
Ein Gastspiel der Kapelle Die Schwindligen 15 in der Schweiz im Appenzeller Land inspirierte Alexander Pfluger zu dieser Komposition. Quattro Poly um ihren Tubisten Florian Wolf alias Mr. Mucke spielten diesen Titel auf ihrer CD Allerhand von Marsch bis Funk ein.
Format: DIN A4
Texter:
Instrumentation: ensemble
Aufnahme / Recording: qp003-allerhand-von-marsch-bis-funk
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Duration: 00:04:19 min
Difficulty: 4
Difficulty: 4
Article Nr: 178426
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Feiertags Polka Johannes (Hannes) Guggenmos
Die "Feiertags-Polka" wurde von Johannes Guggenmos für das Blechbläserensemble Quattro Poly komponiert. Beginnend mit einer melodischen Cadenz geht es dann rein in die schwungvolle Polka. Im Trio wird dann im doppelten Tempo knackig in den Schluss gespielt. Aufgenommen von Quattro Poly auf der CD "Let`s go Quattro".
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Article Nr: 178424
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Tenorhorn-Polka für Blasorchester Hermann Delago / Arr. Rudi Seifert
Direktion und Stimmen
Seifert, Rudi, arr.
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Duration: 3:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 178062
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Von der Seele - Polka - Blasorchester Mathias Rauch
Mit dieser Polka hat sich der Komponist wirklich seine Gefühle von der Seele geschrieben. Eine der schönsten Polkas, die es zur Zeit gibt. Eine Komposition, die ins Herz geht! Gut spielbar für jede Kapelle und Besetzung.
49,90 €
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Duration: 3:08 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 177914
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Bergspitzpolka Friedl Wallner / Arr. Sepp Leitinger
59,00 €
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Duration: 3:30 min
Difficulty: -
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Article Nr: 177885
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Starzeltal Polka Joachim Schöpe
37,50 €
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Duration: 3:25 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 177867
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Freudemacher - Polka Martin Scherbacher
37,50 €
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Duration: 2:40 min
Difficulty: 3
Difficulty: 3
Article Nr: 177865
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Zucker und Zimt Edwin (Edi) Sagert
"Zucker und Zimt" ist eine Polka von Edi Sagert, der Leiter der mittlerweile aufgelösten "Original Kapelle Egerland" war.
42,00 €
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Duration: 3:45 min
Difficulty: 3
Difficulty: 3
Article Nr: 177860
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Typisch Edi Edwin (Edi) Sagert
Original Kapelle Egerland
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Duration: 5:15 min
Difficulty: 3
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Article Nr: 177859
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Jahrgang 61 Edwin (Edi) Sagert
Original Kapelle Egerland
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Duration: 3:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 177858
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Moravia Polka Hub
23,00 €
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V Kurniku (Im Hühnerstall) - Polka Frantisek Juracek
0226Po
Direktion C, Klarinette Es, 1.Klarinette B, 2.Klarinette B,
1.Flügelhorn B, 2.Flügelhorn B,
Flügelhorn B Tenor/Tenorhorn B, Eufonium C/B,
1.Trompete Es/1.Horn Es, 2.Trompete Es/2.Horn Es,
Trompete B Bass/2.Tenorhorn B,
Bass C/B, Schlagzeug
Duration: 2:59 min
Difficulty: 2
Difficulty: 2
Article Nr: 177829
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Auf der Holzebene (Polka) Mathias Gronert
Gemütliche Polka, die neben einer schönen
Melodieführung auch einen Solo-Teil für das
Holz-Register beinhaltet sowie zusätzlich
ein solistisches Zwischenspiel für ein
Flügelhorn und ein Tenorhorn.
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Duration: 3:46 min
Difficulty: 3
Difficulty: 3
Article Nr: 177802
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* Information on availability is based on previous experiences. Prices and availability are subject to change without notice!