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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Louis Polka - Kleine Besetzung
Titel / Title: Louis Polka - Böhmische Besetzung Komponist / Composer: M: S. Meierl, Bearb: T. Dellweg Genre: Polka Format: A3 Aufnahme / Recording:
33,00 €
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Duration: --:-- min
Difficulty: 4
Composer: -
Arranger: -
Article Nr: 185486
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Allerhand Polka - Florian Wolf / Arr. Alexander Pfluger

Allerhand Polka Florian Wolf / Arr. Alexander Pfluger

Florian Wolf alias Mr. Mucke und Tubist von QUATTRO POLY und Blechverrückt widmete diese schwungvolle Polka der Allerhand Stage beim Woodstock der Blasmusik 2015. Dieses Stück ist ebenfalls als original QUATTRO POLY - Arrangement, in der Besetzung Blechverrückt und als Ausgabe für Kleine Blasbesetzung erhältlich. Das Arrangement erstellte Alexander Pfluger. C Direktion Flöte 1 ...
36,00 €
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Duration: 00:02:30 min
Difficulty: 3
Composer: Florian Wolf
Arranger: Alexander Pfluger
Article Nr: 185485
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Schlafe nicht - Peter Plank / Arr. Peter Plank

Schlafe nicht Peter Plank / Arr. Peter Plank

Böhmische Besetzung: Klarinette in Eb, 2 Klarinetten in B, 2 Flügelhörner, Trompete, Tenorhorn, Bariton, 2 Posaunen in C, Tuba, Schlagzeug
Duration: --:-- min
Difficulty: 1
Composer: Peter Plank
Arranger: Peter Plank
Article Nr: 184799
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Egerländer Gold - Mathias Gronert

Egerländer Gold Mathias Gronert

35,00 €
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Duration: --:-- min
Difficulty: -
Composer: Mathias Gronert
Arranger: -
Article Nr: 184781
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Gezeiten (Polka) - Kleine Besetzung - Stefan X. Thaler
Die Polka "Gezeiten" von Stefan X Thaler für 7er-Besetzung stammt aus den Originalnoten von 6er Blas. Direktion in C 1. Flügelhorn in B 2. Flügelhorn in B 1. Trompete in B Tenorhorn in B Bariton in B Tuba in C Schlagzeug
15,00 €
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Duration: 3:00 min
Difficulty: 3
Composer: Stefan X. Thaler
Arranger: -
Article Nr: 184759
available in 6 days *

Musikanten-Zauber - Alexander Pfluger / Arr. Alexander Pfluger

Musikanten-Zauber Alexander Pfluger / Arr. Alexander Pfluger

Musikanten-Zauber - schwungvolle Marsch-Polka mit Einleitungskadenz, die entweder von zwei Flügelhörnern oder Tenorhorn / Bariton gespielt werden kann. Das lyrische TRIO hat Ohrwurmcharakter. Format: DIN A3 Texter: Instrumentation: blasorchester Aufnahme / Recording: s15010-musikanten-zauber,bbr001-ohhh-what-a-boehmsich Besetzungsliste / Instrumentation: PartiturC DirektionPic ...
45,00 €
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Duration: 00:05:10 min
Difficulty: 3
Composer: Alexander Pfluger
Arranger: Alexander Pfluger
Article Nr: 184757
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Harry's Time Polka - Mathias Rauch

Harry's Time Polka Mathias Rauch

Originalnoten der Innsbrucker Böhmische
19,90 €
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Duration: --:-- min
Difficulty: -
Composer: Mathias Rauch
Arranger: -
Article Nr: 184666
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Annen Polka - Johann Strauß / Strauss (Vater) / Arr. Matteo Firmi

Annen Polka Johann Strauß / Strauss (Vater) / Arr. Matteo Firmi

79,20 €
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Duration: 2:50 min
Difficulty: 2
Article Nr: 184659
available in 7 days *

Cirkusparade - Paul Wollny / Arr. Heribert Raich

Cirkusparade Paul Wollny / Arr. Heribert Raich

Blumenherzwalzer; Harmoniepolka; Tatranská Polka (Hohe Tatra Polka) 4er Ausgabe
73,83 €
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Duration: 2:40 min
Difficulty: 3+
Composer: Paul Wollny
Arranger: Heribert Raich
Article Nr: 184556
in stock | delivery time 1-2 days *

Explosions Polka - Johann Strauß / Strauss (Sohn) / Arr. John Glenesk Mortimer

Explosions Polka Johann Strauß / Strauss (Sohn) / Arr. John Glenesk Mortimer

CONCERT BAND - HARMONIE - BLASORCHESTER The Charm Of Vienna (Concert Band) (Marschformat / Petit format / Card Size)

Blasorchester > Ensembles > Formation

Op. 43
Concert Band
73,90 €
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Duration: 2:06 min
Difficulty: 3
Article Nr: 184483
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Gemütliche Stunden - Polka - Martin Eller
Schöne einfache Polka des jungen Tiroler Komponisten Martin Eller. Zu hören auf: CD 353049 - Obernberger Böhmische
39,90 €
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Duration: 3:00 min
Difficulty: 2+
Composer: Martin Eller
Arranger: -
Article Nr: 184398
available in 6 days *

Die schöne Zeit mit Dir - Dieter Geng / Arr. Timo Dellweg

Die schöne Zeit mit Dir Dieter Geng / Arr. Timo Dellweg

Titel / Title: Die schöne Zeit mit Dir Komponist / Composer: M/T: Dieter Geng, Arr.: T. Dellweg Genre: Polka-Gesang Format: A4 Aufnahme / Recording: CD Egerländer Rebellen 2015
Original Arrangement der Egerländer Rebellen Polka mit Gesang von Dieter Geng in einem Arrangement von Timo Dellweg.

35,00 €
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Duration: --:-- min
Difficulty: 3
Composer: Dieter Geng
Arranger: Timo Dellweg
Article Nr: 184361
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Ewi Polka - Engelbert Wörndle

Ewi Polka Engelbert Wörndle

Duration: --:-- min
Difficulty: -
Composer: Engelbert Wörndle
Arranger: -
Article Nr: 184358
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Hühner-Polka - Antonin Zvacék

Hühner-Polka Antonin Zvacék

30,00 €
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Duration: --:-- min
Difficulty: -
Composer: Antonin Zvacék
Arranger: -
Article Nr: 184344
available in 3 days *

Alte Zeiten - Böhmische Besetzung - Engelbert Wörndle
Die Konzertpolka "Alte Zeiten" ist eine Polka aus der Jugendzeit von Engelbert Wörndle für böhmische Besetzung, in welcher der Hornsatz so richtig zur Geltung kommt.
29,90 €
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Duration: 3:21 min
Difficulty: 2+
Composer: Engelbert Wörndle
Arranger: -
Article Nr: 184164
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Im Weinkeller - Innsbrucker Böhmische - Engelbert Wörndle
Gemütliche Polka aus der Feder von Engelbert Wörndle. Besetzung:Trompete 1 in B, Trompete 2 in B, Trompete 3 in B, Tenorhorn in B, Bariton in B/C, Tuba in C/B/Es, SchlagzeugTrompete 1 in B, Trompete 2 in B, Trompete 3 in B, Tenorhorn in B, Bariton in B/C, Tuba in C/B/Es, Schlagzeug
29,90 €
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Duration: --:-- min
Difficulty: -
Composer: Engelbert Wörndle
Arranger: -
Article Nr: 184159
in stock | delivery time 1-2 days *
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