Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Im Gipfelreich Alexander Stütz
Ohren auf und das Bergpanorama genießen!Mit der Polka Im Gipfelreich hat Alexander Stütz eine brandneue Polka komponiert,
die Bilder zum Leben erweckt. Nach einer Nacht in den Bergen den Sonnenaufgang über
den Gipfeln der Allgäuer Alpen erleben...? Mit uns ist das nun ohne anstrengenden
Aufstieg aber mit der Kraft der Musik möglich.Besetzungsliste / Instrumentation:
Dire ...
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Duration: 03:36 min
Difficulty: 3
Difficulty: 3
Article Nr: 198801
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Die Hundertjährige - Polka Lars Bischof / Arr. Alexander Stütz
Gussenstadt - eine idyllische Gemeinde im Landkreis Heidenheim und gleichzeitig die Heimat unseres Freundes Lars Bischof. Zum 100-jährigen Jubiläum seines Heimatvereins, der Gussenstadter Blasmusik, schrieb er "Die Hunderjährige".Besetzungsliste / Instrumentation:
Direktion
C Flöte 1
C Flöte 2
Eb Klarinette
Bb Klarinette 1
Bb Klarinette 2
Bb Klarinette 3
Eb Altsaxophon ...
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Duration: 04:17 min
Difficulty: 3
Difficulty: 3
Article Nr: 198797
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Uane fir sui Armin Kofler
Artikel / Title: UANE FIR SUI
Untertitel / Subtitle: EINER FÜR SIE
Besetzung / Instrumentation: HARMONIE/BLASORCHESTER
Genre: Polkas
Dauer / Duration: 4:50
Erscheinungsjahr / Year of Production: 2015
Komponist / Composer: Kofler Armin
Arrangeur / Arranger:
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Duration: 04:50 min
Difficulty: 3
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Article Nr: 198789
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Für Toni (Blasorchester) Andreas Och / Arr. Klaus Rambacher
Polka
Der Schreinermeister und Trompeter Andreas Och, genannt 'der Eder', schuf hier, zusammen mit Klaus Rambacher, seine erste Polka, die er seinem Freund Toni widmete. Die flotte Eingangsmelodie wird in aller erster Linie vom hohen Blech getragen, worauf ein sehr schön phrasiertes Trio mit Ohrwurmcharakter folgt. Natürlich kommen auch die tiefen Stimmen voll auf ihre Kosten ...
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Duration: 02:41:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 198606
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Singe, wem Gesang gegeben Wenzel Valcek / Arr. Freek Mestrini
Text: Michael Werner
© 2020 CLOU Music Wolf GbR • c/o Melodie der Welt GmbH & Co. KG • An der Dammheide 10 • D-60486 Frankfurt/Main
Alle Rechte vorbehalten • All rights reserved including Public Performance
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 198595
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Dörfchen (Polka) - Becicka Antonin Pecha / Arr. Jan Vlach
Direktion C, Flöte C, Klarinette Es, 1.Klarinette B, 2.Klarinette B,
3.Klarinette B, 1.Flügelhorn B, 2.Flügelhorn B, 1.Trompete B,
2./3.Trompete Es, Basstrompete B, 1./2.Horn F, Tenorhorn B, Bariton C,
1./2.Posaune C, 1./2.Bass C, Schlagzeug.
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Duration: 2:50 min
Difficulty: 3
Difficulty: 3
Article Nr: 192062
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Burgenländer Weinpolka Sepp Leitinger
für Blasorchester
Direktion und Stimmen
Was passiert, wenn sich eine böhmische Seele, ein Burgenländer und ein Salzburger beim Heurigen treffen, ist klar: es wird gesungen, getrunken und gefeiert. Die neue Polka von Sepp Leitinger (Musik) für 7er-Besetzung verehrt den "Burgenländer Wein", in dem für einen Österreicher sicher noch ein Stückchen mehr Wahrheit liegt als in sonsti ...
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Duration: 03:15:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 188784
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Elektromeister Polka Sepp Leitinger
Vielleicht hat Sepp Leitinger unter Strom gestanden, als er dieses Werk für Blasorchester schuf. Auf jeden Fall widmet er diese flotte und spritzige Polka im böhmischen Stil allen Elektromeistern. Die schönen Melodien instrumentiert er leicht und gekonnt und schafft es, eine tolle Spannung im ganzen Orchester aufzubauen. Wenn mit dem Abschlussschlag der Stecker gezogen wird, si ...
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Duration: 03:50:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 188343
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In Momentum Florian Oschmann
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
Trompete in B
Tenorhorn in B
Bariton in B
Bariton in C
1.-3. Posaune in C
1.-2. Tuba in C
Schlagzeug
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 188181
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Einfach Sagenhaft Florian Oschmann
Flöte in C
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
Trompete in B
Tenorhorn in B
Bariton in B
Bariton in C
1.-3. Posaune in C
1.-2. Tuba in C
1. Horn in F
2. Horn in Es
1.-2. Tuba in C
Schlagzeug
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Difficulty: 2
Difficulty: 2
Article Nr: 188180
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C-H-E-F-Polka Florian Oschmann
Direktion in C
Querflöte in C
Klarinette in Es
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
Tenorhorn in B
Trompete in B
Bariton in B
Bariton in C
1.-2. Posaune in C
1.-2. Tuba in C
Schlagzeug
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 188176
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Für gute Freunde Martin Straub
Direktion in C
Flöte in C
1. Klarinette in B
2. Klarinette in B
1. Flügelhorn in B
2. Flügelhorn in B
Trompete in B
Tenorhorn in B
Bariton in B
Altsaxophon in Es
Tenorsaxophon in B
1. Posaune in C
2. Posaune in C
Horn in F
Tuba in C
Schlagzeug
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Difficulty: 2
Difficulty: 2
Article Nr: 188175
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Ein Liebesbrief Mathias Rauch
Der aktuelle Blasmusik-Hit von Mathias Rauch aus dem Album "Gipfelsiege" von "Die Innsbrucker Böhmische"!
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Duration: 3:45 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 188045
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Böhmische Momente (Polka) Mathias Gronert
Mit dieser geschmeidigen Ohrwurm-Polka möchte Mathias Gronert an die vielen schönen Böhmischen Momente erinnern, die er mit seinen Kollegen von der Scherzachtaler Blasmusik und den vielen anderen Blasmusikfreunden teilen durfte. Erleben auch Sie mit Ihrem Orchester und Ihren Zuhörern musikalisch Böhmische Momente!
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 188044
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Sandkastenliebe Robert Tro. Hofmann
Titel / Title: Sandkastenliebe
Komponist / Composer: Musik+Text: Robert Tro. Hofmann
Genre: Polka-Gesang
Format: A4
Aufnahme / Recording: CD Hergolshäuser Musikanten 40 Jahre
Originalnoten der Hergolshäuser Musikanten
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Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 187999
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Die Lonische Polka - The Lonic-Polka Kurt Gäble
Gewidmet den Musikvereinen der Lonetalgemeinden Westerstetten, Lonsee und Amstetten
Das Lonetal: Beschauliche Dörfer, umgeben von saftig grünen Wiesen und Feldern, artenreiche Waldgebiete, in denen geschützte Tierarten wie der Biber ein Zuhause finden, steil aufragende Felsen und tiefe Höhlen mit einmaligen, kulturgeschichtlich bedeutsamen Funden. Das Lonetal am Rande der Sc ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 187985
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