Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Grüß mir das Böhmerland Philipp Roth / Arr. Franz Gerstbrein
Besetzung: Blasorchester
Stil / Art: Art: Polka, Böhmisch, Volkstümlich
Schwierigkeitsgrad: Mittelstufe 3
Interpret: Bernd Wolf & seine Egerländer Musikanten
Format: DIN A4
Erscheinungsjahr: 2021
Grüß mir das Böhmerland
Das Fernweh nach einem bestimmen Ort ist uns allen bekannt. Wenn an diesem Ort auch noch gute Musik ihr Zuhause hat, werden mit mancherlei Klängen Erinnerungen ...
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Article Nr: 207022
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Goldschmied Polka (7er Besetzung) Mathias Rauch
Originalnoten der Innsbrucker Böhmische
1. Trompete in B
2. Trompete in B
3. Trompete in B
Tenorhorn
Barition
Tuba
Schlagzeug
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Federkiel Polka (Kleine Besetzung) Mathias Rauch
Originalnoten der Hippacher Musikanten
1. Flügelhorn in B
2. Flügelhorn in B
Klarinette in B
Posaune
Tuba
Schlagzeug
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Zur Erholung (Für Blecharanka) Marian Vlado
Titel / Title: Zur Erholung (Für Blecharanka)
Komponist / Composer: Marian Vlado
Genre: Polka
Format: A4
Aufnahme / Recording: CD Blaskapelle Blecharanka 10 Jahre - 2014
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Dva roky a den - Nach langer Zeit Ladislav Kubes
Direzione C (jednorádkový), Vocal CZ, Flauto C, Clarinetto Es, Clarinetto 1.B, Clarinetto 2.B, Clarinetto 3.B, Corni 1/2 F, Flicorno 1.B, Flicorno 2.B, Flicorno tenore 1.B, Eufonio C, Bariton B, Tromba 1.B, Trombe 2/3 B, Trombe 2/3 Es, Tromba bassa B, Trombone C, Tromboni 1/2 C, Tromboni 1/2 B, Bass 1.Es, Bass 2.B, Bassi 1/2 C, Batterie
Text: Ladislav Jacura
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Difficulty: 2+
Article Nr: 203141
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Mein Herz ist immer Dein Martin Neu
Mein Herz ist immer Dein
Polka für WiebkeBesetzung: Blasorchester
Stil / Art: Polka mit Gesang, Böhmisch
Komponist: Martin NeuTextdichter: Martin Neu, Wiebke Neu-
Schwierigkeitsgrad: Unter/Mittelstufe
2
Spieldauer: -
Interpret: Original Böhmische Musikanten
Format: DIN A4
Mein Herz ist für immer dein - Polka für Wiebke
Die genaue Besetzung dieser Ausgabe finden Sie im Notenb ...
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Article Nr: 203117
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Kolatschenfest Polka Martin Neu
Kolatschenfest Polka
Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Martin Neu-
Schwierigkeitsgrad: Mittelstufe
3
Spieldauer: -
Interpret: Original Böhmische Musikanten
Format: DIN A4
Die Kolatschenfest-Polka - welch ein musikalischer Ohrenschmaus!
Die genaue Besetzung dieser Ausgabe finden Sie im Notenbeispiel
Kolatschenfest Polka
Marti ...
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Unser Glück, die Blasmusik Lukas Bruckmeyer
Unser Glück, die Blasmusik
Besetzung: Blasorchester
Komponist: Lukas Bruckmeyer
Arrangeur: -
Stil / Art: Polka mit Gesang
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:03:40
Interpret: Lukas Bruckmeyer & seine Böhmischen Kameraden
Aufnahme: "5 Jahre - Kameraden so wie wir" - Böhmische Kameraden
Format: DIN A4
Erscheinungsjahr: 2019
Schwungvoll und kräftig ist Unse ...
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Duration: 3:40 min
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Article Nr: 202962
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An meine Mutter Elmar Wolf
An meine Mutter
Rosen der LiebeBesetzung: Blasorchester
Stil / Art: Beguine, Lied mit Gesang, Böhmisch
Komponist: Elmar Wolf (u.V.e. Volksweise)Franz BummerlTexter: Elmar Wolf
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A4
Erscheinungsjahr: 2006
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Difficulty: -
Difficulty: -
Article Nr: 202924
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Komm lass dich küssen
Besetzung / Instrumentation: Blasorchester
Komponist: Jaromir VejvodaFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A5
Erscheinungsjahr: 2005
Komm lass dich küssen - eine lebhafte Polka von Jaromir Vejvoda.
Komm lass dich küssen
Polka
Jaromir Vejvoda
Fr ...
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Article Nr: 202914
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Jeder Tag ist schön
Besetzung / Instrumentation: Blasorchester
Komponist: Erwin RusslerFrank Ecker
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A4
Erscheinungsjahr: 2005
Jeder Tag ist schön - ebenso wie diese Polka von Erwin Russler.
Jeder Tag ist schön
Polka
Erwin Russler
Frank Ecker
EWOTON
Noten
...
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Difficulty: -
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Article Nr: 202911
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Das Glück ist dein
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2005
Das Glück ist dein - die lebensfrohe Polka von Vaclav Blaha.
Das Glück ist dein
Polka
Vaclav Blaha
Franz Bummerl
EWOTON
Noten
Das ...
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Article Nr: 202908
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Flieg kleiner Vogel flieg
Besetzung / Instrumentation: Blasorchester
Komponist: Frantisek ManasFranz Bummerl
Stil / Art: Walzer
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2004
Flieg, kleiner Vogel, flieg - ein zwitschernder musikalischer Höhenflug von Frantisek Manas.
Flieg kleiner Vogel flieg
Walzer
...
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Difficulty: 3
Difficulty: 3
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Article Nr: 202904
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Alle machen heute mit
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Marsch-Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2003
Alle machen heute mit - die Polka, die Ihre Zuhörer von den Bänken reißt.
Alle machen heute mit
Marsch-Polka
V. Blaha
F. Bum ...
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Article Nr: 202902
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Herzblut - Polka Frantisek Manas / Arr. Franz Bummerl
Herzblut
Besetzung / Instrumentation: Blasorchester
Komponist: Frantisek ManasFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Interpret: Elmar Wolf & die Neuen Egerländer
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer (EW9043-3)
Format: DIN A4
Erscheinungsjahr: 2002
Eine wunderbare böhmische Polka aus der Feder von Frantisek Manas. ...
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Article Nr: 202896
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Freu dich mit mir - Polka Vaclav Blaha / Arr. Franz Bummerl
Freu dich mit mir
Besetzung / Instrumentation: Blasorchester
Komponist: Vaclav BlahaFranz Bummerl
Stil / Art: Polka
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:39
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: 'Danke an meine Freunde' - Elmar Wolf & die Neuen Egerländer
Format: DIN A5
Erscheinungsjahr: 2001
Freu dich mit mir - eine heiter ...
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Duration: 2:39 min
Difficulty: 3
Difficulty: 3
Article Nr: 202894
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