Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Venkovanka Bedrich Smetana / Arr. Jacques Claessens
Titel / Title: Venkovanka
Untertitel / Subtitle: Polka
Herausgeber / Publisher: Baton Music
Instrumentation: concert band
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Baton Music orchestral series
[EN]Czech composer Bedrich Smetana is known as the first composer who wrote music with a specific Czech character. Many of his compositions are based on Czech themes ...
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Duration: --:-- min
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Article Nr: 215956
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Ohne Bremse - Polka schnell Opus 238 Eduard Strauß (Strauss) / Arr. Roger Niese
Titel / Title: Ohne Bremse
Untertitel / Subtitle: Polka schnell
Instrumentation: concert band
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Baton Music orchestral seriesEduard Strauss (1835 - 1916) was an Austrian composer who, together with brothers Johann Strauss II and Josef Strauss made up the Strauss musical dynasty. His popularity was overshadowed by that o ...
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Duration: 2:30 min
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Article Nr: 215949
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Klipp-Klapp Galopp Johann Strauß / Strauss (Sohn) / Arr. Matteo Firmi
Titel / Title: Klipp-Klapp Galopp
Untertitel / Subtitle: Opus 466
Herausgeber / Publisher: Baton Music
Instrumentation: concert band
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Baton Music orchestral seriesThe Klipp-Klapp Galopp' (Click-clack Gallop') is a quick polka by Johann Strauss. The polka was created according to the motifs of the operetta Waldmeister' ...
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Duration: 2:30 min
Difficulty: 3
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Article Nr: 215869
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Winterlust - Polka schnell Opus 121 Josef Strauss / Arr. Georg Zwettler
Diese Polka schnell ist ein eher selten gespieltes Werk von Josef Strauss. Diese Polka beschreibt mit ihren Schellenklängen und Peitschenhieben eine flotte Schlittenfahrt durch eine tiefwinterliche Landschaft.
Duration: 2:30 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 214706
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A scheene Zeit Johannes (Hannes) Guggenmos / Arr. Alexander Pfluger
Format: DIN A3
Texter:
Instrumentation: ensemble
Aufnahme / Recording:
Besetzungsliste / Instrumentation:
Bb Trompete 1
Bb Trompete 2
Bb Tenorhorn 1
C Tenorhorn 1
C Bariton
Bb Bariton
Eb Tuba
C Tuba 2
B Tuba
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Duration: --:-- min
Difficulty: 3+
Difficulty: 3+
Article Nr: 214678
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Erhard´s Polka Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: blasorchester
Aufnahme / Recording:
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Eb BaritonsaxophonBb Trompete 1Bb Trompete 2Bb Flügelhorn 1Bb Flügelhorn 2F Horn 1 MelodieEb Horn 1 Melodi ...
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Duration: 00:04:15 min
Difficulty: 2
Difficulty: 2
Article Nr: 214667
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Omi und Opi Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
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Instrumentation: blasorchester
Aufnahme / Recording:
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete 2Bb Flügelhorn 1Bb Flügelhorn 2F Horn 1 Melod ...
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Article Nr: 214665
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Stieglitz-Polka Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: ensemble
Aufnahme / Recording:
Besetzungsliste / Instrumentation:
C Direktion
Bb Trompete 1
Bb Flügelhorn 1
Bb Flügelhorn 2
Bb Tenorhorn 1
C Tenorhorn 1
C Bariton
Bb Bariton
Eb Tuba
C Tuba 2
B Tuba
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Duration: 00:03:20 min
Difficulty: 3
Difficulty: 3
Article Nr: 214654
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49er Polka Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: ensemble
Aufnahme / Recording:
Besetzungsliste / Instrumentation:
C Direktion
Bb Trompete 1
Bb Flügelhorn 1
Bb Flügelhorn 2
Bb Tenorhorn 1
C Tenorhorn 1
C Bariton
Bb Bariton
Eb Tuba
C Tuba 2
B Tuba
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Duration: 00:02:20 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 214652
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Kleine Maus - Polka Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Instrumentation: blasorchester
Aufnahme / Recording:
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Flügelhorn 1Bb Flügelhorn 2F Horn 1 MelodieEb Horn 1 Melodie ...
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 214644
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Böhmische Zeit - Ausgabe BIOBRASS Matthias Hofmann / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: ensemble
Aufnahme / Recording: bbr001-ohhh-what-a-boehmsich
Besetzungsliste / Instrumentation: C DirektionBb Trompete 1Bb Trompete 2Bb Trompete 3Bb Tenorhorn 1C Tenorhorn 1C BaritonBb BaritonC Posaune 1Bb Posaune 1Eb TubaC Tuba 2B TubaSchlagzeug ...
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Duration: 00:03:05 min
Difficulty: 3
Difficulty: 3
Article Nr: 214599
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Musikanten-Zauber - Ausgabe BIOBRASS Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A3
Texter:
Instrumentation: ensemble
Aufnahme / Recording: bbr001-ohhh-what-a-boehmsich,s15010-musikanten-zauber
Besetzungsliste / Instrumentation: C DirektionBb Trompete 1Bb Flügelhorn 1Bb Flügelhorn 2Bb Tenorhorn 1C BaritonBb BaritonC Posaune 1Bb Posaune 1Eb TubaC Tuba 2B TubaSchlagzeug ...
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Duration: 000:05:10 min
Difficulty: 3
Difficulty: 3
Article Nr: 214591
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Alois Polka Traditional / Arr. Alexander Pfluger
Format: DIN A4
Instrumentation: blasorchester
Aufnahme / Recording: s15008-zeit-fuer-musik
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Trompete 2Bb Flügelhorn 1Bb Flügelhorn ...
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Duration: 3:05 min
Difficulty: 3+
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Article Nr: 214560
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GEILE ZEIT Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A4
Texter:
Instrumentation: ensemble
Aufnahme / Recording:
Besetzungsliste / Instrumentation:
C Direktion
Bb Trompete 1
Bb Flügelhorn 1
Bb Flügelhorn 2
Bb Tenorhorn 1
C Tenorhorn 1
C Bariton
Bb Bariton
Eb Tuba
C Tuba 2
B Tuba
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Difficulty: 3
Difficulty: 3
Article Nr: 214549
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Spatzen-Polka Alexander Pfluger / Arr. Alexander Pfluger
Format: DIN A3
Texter:
Instrumentation: blasorchester
Aufnahme / Recording: s15008-zeit-fuer-musik,dje001-traeume-in-die-zukunft
Besetzungsliste / Instrumentation: C DirektionFlöte 1Flöte 2OboeFagottEs KlarinetteBb Klarinette 1Bb Klarinette 2Bb Klarinette 3Bb BassklarinetteEb Altsaxophon 1 Eb Altsaxophon 2Bb Tenorsaxophon 1Bb Tenorsaxophon 2Eb BaritonsaxophonBb Trompete 1Bb Tr ...
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Duration: 3:38 min
Difficulty: 4
Difficulty: 4
Article Nr: 214540
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Böhmischer Geburtstagsgruß Elmar Eggerl / Arr. Alexander Pfluger
Format: DIN A3
Texter:
Instrumentation: ensemble
Aufnahme / Recording:
Besetzungsliste / Instrumentation:
C Direktion
Bb Flügelhorn 1
Bb Flügelhorn 2
Bb Tenorhorn 1
C Tenorhorn 1
C Bariton
Bb Bariton
Eb Tuba
C Tuba 2
B Tuba
Schlagzeug
15,00 €
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Duration: 00:03:07 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 214520
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