Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Sinnlichkeiten Michael Klostermann / Arr. Michael Klostermann
Titel / Title: Sinnlichkeiten - Walzer
Herausgeber / Publisher: Mitropa Music
Instrumentation: Blaskapelle
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Michael Klostermann und seine Musikanten
Produkttyp / Product: Partitur + Stimmen
Sprache / Language: German
Erscheinungsdatum / Date of Production: 2018
ISMN: 9790035238769
Walzer
Blaskapelle
Michael Klostermann u ...
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Duration: 00:03:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 183213
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Zärtlichkeiten (Polka) Franz Watz
Titel / Title: Zärtlichkeiten
Herausgeber / Publisher: Mitropa Music
Instrumentation: Concert Band/Harmonie
Produkttyp / Product: Partitur + Stimmen
Serie / Series: Michael Klostermann und seine Musikanten
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 1994
ISMN: 9790035019924
77,99 €
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Duration: 3:00 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 100982
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Blas' Musikant Wenzel Valcek
Titel / Title: Blas' Musikant
Komponist / Composer: M: Wenzel Valcek, T: Heinz Friedauer
Genre: Polka-Gesang
Format: A4
Aufnahme / Recording: CD Orig. Burgenländer - Burgenländer Leckerbissen - 2017
Duration: --:-- min
Difficulty: 4
Difficulty: 4
Article Nr: 177721
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Lass mich nicht allein - Polka Peter Kovarek
Polka von Peter Kovarek
Text von Johnny Malenta
CD: "Alles Polka"
43,90 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 185917
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Die Trompetenpolka für Blasorchester Heinz Reiche
Rückendrahtheftung
Ausgabe: Stimmensatz / set of parts
Sprache: deutsch - englisch - französisch
ISMN: 979-0-010-39190-8
Bindung: Rückendrahtheftung
ISMN: 979-0-010-39190-8
Orchesterbesetzung: 3 Solo-Trp., 4 Sax. (4. Sax. ad lib.), 2 Pos. (2. Pos. ad lib.), Git., Bass, Schlzg.
Spieldauer: 3'45'
Verlag: Musikverlag Zimmermann
Duration: 3:45 min
Difficulty: -
Difficulty: -
Article Nr: 549882
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Fun-Polka Alexander Pfluger / Arr. Alexander Pfluger
Fun Polka
Fun-Polka aus der Serie YOUNG STARS Blasmusik für Kids - von Alexander Pfluger. Kompositionen aus der Serie YOUNG STARS Blasmusik for Kids eignen sich besonders für Jugendorchester im Bereich Anfänger- Unterstufe. Diese Stücke sind mit begrenztem Tonumfang für die einzelnen Register und ohne Sechzehntel-Noten ausgeführt.
C Direktion
Flöte 1
Flöte 2
Oboe
Fagot ...
32,50 €
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Duration: 2:46 min
Difficulty: 1
Difficulty: 1
Article Nr: 181701
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Auf der Sambachsteige (Polka) H.O. Dömling / Arr. Kati Schubert
Unsere wunderschöne melodische Bestseller-Polka mit Gesang.
Musik: H.O. Dömling
Text: Kati Schubert
Tonart: F-Dur mit Wechsel in B-Dur
Grad: 3
passende CD-Aufnahme: Egertaler Blaskapelle - Auf der Sonnenseite
36,90 €
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Duration: --:-- min
Difficulty: 2+
Difficulty: 2+
Article Nr: 138798
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Stettiner Kreuz Polka S. Schlichting / Arr. Bernhard Kutsch
Titel / Title: Stettiner Kreuz Polka
Untertitel / Subtitle:
Komponist / Composer: S. Schlichting
Arrangeur / Arranger: B. Kutsch
Instrumentation: Concert Band
0
[FR][NL]Besetzungsliste / Instrumentation:
1 Condensed Score
1 Piccolo
8 Flute
2 Oboe
1 Clarinet Eb
8 Clarinet Solo + I
4 Clarinet II
4 Clarinet III
4 Alto Saxophone
2 Tenor Saxophone
1 Baritone Saxophone
0 Flugelhorn ...
41,89 €
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 102814
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Im Kahlenbergerdorfel (Polka Francaise) P. Farbach / Arr. Gosling Mol
Titel / Title: Im Kahlenbergerdorfel
Untertitel / Subtitle: Polka Francaise
Komponist / Composer: Ph. Farbach
Arrangeur / Arranger: Gosling Mol
Instrumentation: Concert Band
0
[FR][NL]Besetzungsliste / Instrumentation:
1 Condensed Score
1 Piccolo
8 Flute
2 Oboe
1 Clarinet Eb
4 Clarinet Solo
4 Clarinet I
4 Clarinet II
4 Clarinet III
4 Alto Saxophone
2 Tenor Saxophone
1 Baritone ...
41,89 €
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 102776
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Zwei charmante Lockvögel (Solopolka für 2 Piccoloflöten) Adolf Angst / Arr. Johannes Thaler
Zwei charmante LockvögelSolo für zwei Flöten (Piccolos) und Blasorchester(alternativ zwei B-Klarinetten) Musik: Adolf AngstBearbeitung: Johannes ThalerTonart: B-Dur auf Es-Dur
Früher verlegt bei Musikverlag Alfred Burger. Neuauflage nun bei Geiger Musikverlag Kronach.
Zwei charmante Lockvögel (Oboe und Baßklarinette nicht in der Gesamtausgabe enthalten. Falls benötigt, bitte e ...
89,90 €
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Duration: 5:28 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 100427
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Svatecni Polka (Fest-Polka) Eduard Kudelasek / Arr. Jan Nellestijn
66,00 €
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Duration: 4:00 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 216655
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Mea Vita - Polka Norbert Gälle
32,90 €
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 216657
in stock | delivery time 1-2 days *
in stock | delivery time 1-2 days *


Böhmisch zum Schluss - Böhmische Besetzung Sascha Dalke
Ausgabe für: Böhmische Besetzung
"Die kleine Abschiedsmelodie, erklingt zum Schluss..." - so beginnt der Gesang zu Beginn des Trios, welches einem kurzen, aber sehr abwechslungsreichen ersten Teil folgt. Sascha Dalke, ein junger Komponist und Trompeter aus dem Raum Coburg hat diese schneidige Polka komponiert. Den Text zur Polka verfasste Theresa Böhm. Die Polka im Grad 3 passt ...
20,00 €
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Difficulty: -
Difficulty: -
Article Nr: 216206
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Meine Lebensfreude Pascal Führnrohr
Ausgabe für: Großes Blasorchester
Meine Lebensfreude, eine Polka im typisch böhmischen Stil von Pascal Führnrohr. Diese Komposition im Grad 3,5 ist ein wahres Energie-Bündel. Zackige und schwungvolle Melodien im ersten Teil, leiten zu einem kurzen und knackigen Basssolo über. Im Trio wechseln sich Tenorhörner und Flügelhörner mit einer weichen, dreistimmigen Melodie ab. Im zwei ...
35,00 €
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Duration: 3:00 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 216197
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in stock | delivery time 1-2 days *


Alpenglühen Daniel Fischinger / Arr. Michael Kuhn
Ausgabe für: Großes Blasorchester
Alpenglühen, eine Polka von Daniel Fischinger und einem Arrangement von Michael Kuhn. Die Polka im Grad 2,5-3 glänzt durch wunderschöne melodische Phrasen, die sowohl von den Flügelhörnern als auch von den Tenorhörnern dargebracht werden. Dreistimmig gesetzte Klarinetten komplettieren den weichen Klangteppich. Das "Dreamteam" Fischinger und Kuh ...
34,90 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 216172
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in stock | delivery time 1-2 days *


Was bleibt ist die Erinnerung - Polka - Großes Blasorchester Daniel Fischinger / Arr. Daniel Käsbauer
Einen lieben Menschen zu verlieren ist eine schmerzliche Angelegenheit. So ist es auch dem Komponisten Daniel Fischinger im Jahr 2019 ergangen. Die in der Blasmusik-Szene überaus bekannte und beliebte Britta Dotter, verstarb plötzlich und unerwartet, kurz nachdem sie von einem Auftritt nach Hause kam. Dass dies ihr letzter Auftritt sein sollte, konnte niemand ahnen. Zurück blei ...
35,00 €
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Duration: 3:00 min
Difficulty: 3
Difficulty: 3
Article Nr: 187986
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