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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Erinnerung an Zirkus Renz - Gustav Peter / Arr. Walter Tuschla

Erinnerung an Zirkus Renz Gustav Peter / Arr. Walter Tuschla

Erinnerung an Zirkus Renz Besetzung: Blasorchester, Solo f. Xylophon / Akkordeon Stil / Art: Galopp, Unterhaltung Komponist: Gustav Peter Arrangeur: Walter Tuschla Schwierigkeitsgrad: Unter-/Mittelstufe | 2 Aufnahme: Format: DIN A4 Der flotte Galopp Erinnerung an Zirkus Renz für Blasorchester und Solo für Xylophon oder Akkordeon. Das Werk von Gustav Peter wurde s ...
60,00 €
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Duration: --:-- min
Difficulty: -
Composer: Gustav Peter
Arranger: Walter Tuschla
Article Nr: 97656
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Hubitschku do Prahy/Im Zigeunerlager - Gustav Hammerschmidt
39,60 €
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Duration: --:-- min
Difficulty: 2+
Composer: Gustav Hammerschmidt
Arranger: -
Article Nr: 129825
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Eine Gemse in den Bergen - Miloslav R. Prochazka

Eine Gemse in den Bergen Miloslav R. Prochazka

Eine Gämse in den BergenBesetzungsliste / Instrumentation: Direktion, Flöte C, Klarinette Es, 1.Klarinette B, 2.Klarinette B, 1.Flügelhorn B, 2.Flügelhorn B, Trompete B, 1.2.Trompete B, Basstrompete B, Tenorhorn B Solo , Bariton C/B, 1./2.Horn Es/F, 1.Posaune C/B, 2.Posaune C/B, 3.Posaune C/B, Posaune C, 1.Bass C, 2.Bass C/B, Schlagzeug ...
Duration: 3:32 min
Difficulty: 4 (Solo 5)
Composer: Miloslav R. Prochazka
Arranger: -
Article Nr: 161561
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Böhmisch zum Schluss - Polka mit Gesang - Sascha Dalke
Polka mit Gesang - Großes Blasorchester - von Sascha Dalke "Die kleine Abschiedsmelodie, erklingt zum Schluss..." - so beginnt der Gesang zu Beginn des Trios, welches einem kurzen, aber sehr abwechslungsreichen ersten Teil folgt. Sascha Dalke, ein junger Komponist und Trompeter aus dem Raum Coburg hat diese schneidige Polka komponiert. Den Text zur Polka verfasste Theresa Bö ...
35,00 €
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Duration: 3:00 min
Difficulty: 3
Composer: Sascha Dalke
Arranger: -
Article Nr: 198888
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Aus ganzem Herzen Blasmusik - Mathias Gronert

Aus ganzem Herzen Blasmusik Mathias Gronert

32,50 €
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Duration: --:-- min
Difficulty: -
Composer: Mathias Gronert
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Article Nr: 160386
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Omama und Opapa - Polka (traditionelle Besetzung) - Ernst Hutter
Komponist: Jenal Peter; Hutter Ernst
45,00 €
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Duration: 3:42 min
Difficulty: 3
Composer: Ernst Hutter
Arranger: -
Article Nr: 179058
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Böhmisches Blut - Josef Poncar / Arr. Franz Bummerl

Böhmisches Blut Josef Poncar / Arr. Franz Bummerl

Ernst Mosch u.s. Original Egerländer Musikanten Ernst Mosch u.s. Original Egerländer Musikanten Partitur, Direktion in C, Flöte in C, Oboe, Klarinette in Eb, 1. Klarinette in Bb, 2. Klarinette in Bb, 3. Klarinette in Bb, 1. Altsaxophon in Eb, 2. Altsaxophon in Eb, 1. Tenorsaxophon in Bb, 2. Tenorsaxophon in Bb, Baritonsaxophon in Eb, Fagott, 1. Trompete in Bb, 2. Trompete in ...
39,00 €
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Duration: 3:50 min
Difficulty: 5
Composer: Josef Poncar
Arranger: Franz Bummerl
Article Nr: 111520
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Irinka-Polka - Edmund Löffler

Irinka-Polka Edmund Löffler

Alternative Artikelnummer: BS 90840 Irinka-Polka für Blasorchester von Edmund Löffler Noten - Blasorchester - Polkas Enthaltene Stimmen Direktion CFlöte C (2x)Klarinette EbKlarinetten Bb I, II, III (je 2x)Altsaxophon Eb I, IITenorsaxophon Bb I, IIFlügelhörner Bb I, II (je 2x)Trompeten Bb I, II, III/IV (je 2x)Hörner Eb I, II, IIITenorhörner Bb I, II (je 2x), IIIBariton C/Bb (2x ...
51,90 €
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Duration: --:-- min
Difficulty: 2
Composer: Edmund Löffler
Arranger: -
Article Nr: 112531
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Schwarzer Peter (Polka) - Thomas Zsivkovits

Schwarzer Peter (Polka) Thomas Zsivkovits

37,90 €
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Duration: --:-- min
Difficulty: 2+
Composer: Thomas Zsivkovits
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Article Nr: 153041
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Posaunenpolka - Harald Kolasch

Posaunenpolka Harald Kolasch

48,00 €
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Difficulty: -
Composer: Harald Kolasch
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Article Nr: 149228
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Holzstreusel Polka - Polka für Blasorchester - Jürgen Fink
Mit dem Jürgen Fink aus Bregenz dürfen wir einen weiteren internationalen Top-Komponisten in den melicus-Reihen begrüßen. Wir freuen uns sehr, dass Jürgen die "Holzstreusel Polka" bei uns verlegt. Hackschnitzel werden umgangssprachlich auch Holzstreusel genannt und wenn man sich die Komposition anhört, muss man nicht lange überlegen, welche Brücke man mit diesem Namen zum We ...
39,90 €
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Duration: --:-- min
Difficulty: 2+
Composer: Jürgen Fink
Arranger: -
Article Nr: 215791
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Windrosen - Polka - Jörg Bollin

Windrosen - Polka Jörg Bollin

39,95 €
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Duration: --:-- min
Difficulty: 2+
Composer: Jörg Bollin
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Article Nr: 138919
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Auf nach Straubing - Blasmusik - Josef (Sepp) Eibelsgruber

Auf nach Straubing - Blasmusik Josef (Sepp) Eibelsgruber

39,00 €
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Duration: 3:00 min
Difficulty: 2+
Composer: Josef (Sepp) Eibelsgruber
Arranger: -
Article Nr: 215780
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Der Schwarzwälder - Timo Dellweg

Der Schwarzwälder Timo Dellweg

"Der Schwarzwälder" ist eine Solo-Polka für Blasorchester und Tenorhorn von Timo Dellweg.
40,00 €
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Duration: 3:22 min
Difficulty: 3 (Solo 4)
Composer: Timo Dellweg
Arranger: -
Article Nr: 185915
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Dasenka (Polka) / Die verliebte Tuba (Polka) - J. Skabrada / M. Khas
25,05 €
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Duration: --:-- min
Difficulty: -
Composer: J. Skabrada / M. Khas
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Article Nr: 131632
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Murzel und Purzel (Konzertpolka f. 2 Klarinetten) - Hans Löhr / Arr. Walter Huhn
Solo Stufe 4+
68,50 €
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Duration: 4:20 min
Difficulty: 3
Composer: Hans Löhr
Arranger: Walter Huhn
Article Nr: 123753
available in 3 days *
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