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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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April Polka (Dubnova) - Lubos Rehanek

April Polka (Dubnova) Lubos Rehanek

Titel / Title: April Polka (Dubnova) Komponist / Composer: Lubos Rehanek Genre: Polka Format: A4 Aufnahme / Recording: CD Dunajska Kapele - Wie in einem Märchen - 2009
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Duration: --:-- min
Difficulty: 4
Composer: Lubos Rehanek
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Article Nr: 168709
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Von Herz zu Herz - Polka - Christian Höcherl / Arr. Franz Gerstbrein

Von Herz zu Herz - Polka Christian Höcherl / Arr. Franz Gerstbrein

Duration: --:-- min
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Composer: Christian Höcherl
Arranger: Franz Gerstbrein
Article Nr: 217422
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Fanynka  (Polka) - Josef Pancik

Fanynka (Polka) Josef Pancik

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Composer: Josef Pancik
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Article Nr: 122804
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Lust auf Böhmisch - Berthold Schick

Lust auf Böhmisch Berthold Schick

Die schmissige Polka Lust auf Böhmisch?! die mehr Lust auf Böhmisch macht und die sofort ins Ohr geht, wurde von Berthold Schick für Blasorchester komponiert und arrangiert. Die Polka Lust auf Böhmisch?! ist gleichzeitig auch Titelmelodie der zweiten CD von Berthold Schick und seine Allgäu 6.
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Duration: 3:03 min
Difficulty: 3+
Composer: Berthold Schick
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Article Nr: 175769
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Brikett Polka - Hans Herzberg / Arr. G. Rudolph

Brikett Polka Hans Herzberg / Arr. G. Rudolph

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Duration: --:-- min
Difficulty: 2
Composer: Hans Herzberg
Arranger: G. Rudolph
Article Nr: 102783
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Rot-Gold Polka - Thomas Zsivkovits

Rot-Gold Polka Thomas Zsivkovits

Die ROT-GOLD Polka vom ehemaligen Kapellmeister von Tschecharanka, jetztigen Tenoristen von "Eine kleine Dorfmusik" und wunderbarem burgenländischen Komponisten Thomas "Schiffko" Zsivkovits!
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Duration: 3:35 min
Difficulty: 2+
Composer: Thomas Zsivkovits
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Article Nr: 175534
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Böhmerländer Klarinetten-Polka (Solo f. 3 Klarinetten) - Guido Henn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Zauber der Blasmusik' (Artikelnummer 80393) gratis! Bitte bestellen Sie hierzu den Artikel, die CD und zusätzlich den Artikel 211761 CD Aktion HeBu
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Duration: 2:42 min
Difficulty: -
Composer: Guido Henn
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Article Nr: 91106
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Für meine Freunde - Ernst Hutter

Für meine Freunde Ernst Hutter

Ernst Hutter vereinte in diesem Solostück gleich zwei Instrumente. Für meine Freunde besteht aus zwei Teilen, wobei im ersten Teil die Posaune als Soloinstrument sehr frei und einfühlsam im modernen Sound mit Jazzelementen sich präsentieren kann. Der zweite Teil ist eine ganz traditionell gehaltene aber technisch sehr anspruchsvolle Polka für Tenorhorn und Blasorchester. Wenn S ...
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Duration: 4:30 min
Difficulty: 4
Composer: Ernst Hutter
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Article Nr: 142951
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Brauhaus Musikanten - Georg Stich

Brauhaus Musikanten Georg Stich

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Composer: Georg Stich
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Article Nr: 217414
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Éljen A Maygyár - Johann Strauß / Strauss (Sohn) / Arr. Scott Lubaroff

Éljen A Maygyár Johann Strauß / Strauss (Sohn) / Arr. Scott Lubaroff

Strauss wrote this stirring polka to celebrate the Austro-Hungarian Agreement of 1867, which stipulated self governance and representative governance for the Hungarians. (3:05)
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Duration: 3:05 min
Difficulty: 4
Article Nr: 164481
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Heimwerker-Polka - Franz Sprenzinger / Arr. Franz Sprenzinger

Heimwerker-Polka Franz Sprenzinger / Arr. Franz Sprenzinger

Solo für Werkzeug und Blasorchester
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Duration: 4:20 min
Difficulty: 3
Composer: Franz Sprenzinger
Arranger: Franz Sprenzinger
Article Nr: 171592
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Liechtensteiner Polka - Edmund Kötscher / Arr. Adrian Falk

Liechtensteiner Polka Edmund Kötscher / Arr. Adrian Falk

Neues Arrangement der "Liechtensteiner Polka" im Happy Sound.
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Duration: 2:55 min
Difficulty: 3
Composer: Edmund Kötscher
Arranger: Adrian Falk
Article Nr: 163030
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Altböhmische Noten (Konzertpolka) - Boris Hajdusek / Arr. Evzen Zámecnik

Altböhmische Noten (Konzertpolka) Boris Hajdusek / Arr. Evzen Zámecnik

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Duration: 3:48 min
Difficulty: 3+
Composer: Boris Hajdusek
Arranger: Evzen Zámecnik
Article Nr: 91442
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Budweiser - Polka / Rekruten - Polka - Vladimir Fuka
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Composer: Vladimir Fuka
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Böhmisch durch die Welt - Norbert Gälle / Arr. Mathias Gronert

Böhmisch durch die Welt Norbert Gälle / Arr. Mathias Gronert

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Composer: Norbert Gälle
Arranger: Mathias Gronert
Article Nr: 186843
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Tondovi Polka (Für Anton) - Miloslav R. Prochazka / Arr. Siegfried Rundel

Tondovi Polka (Für Anton) Miloslav R. Prochazka / Arr. Siegfried Rundel

Miloslav Procházka wurde am 31. August 1958 in Kyjov (Mähren) geboren. Im Alter von 8 Jahren erhielt er seinen ersten Trompetenunterricht. Zwischen 1974 und 1981 besuchte er das Musikkonservatorium in Kromeríž. Während seines Studiums schrieb er bereits zahlreiche volkstümliche Kompositionen. Miloslav Procházka war lange Zeit Mitglied der legendären Blaskapelle „Mistrínanka“, f ...
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Duration: 4:04 min
Difficulty: 3
Article Nr: 139325
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