Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Südburgenländische Musikantenpolka Markus Ebner
Schwungvolle Polka von Markus Ebner, dem Tubisten von "Eine kleine Dorfmusik". Eingespielt auf der CD "Unter Kollegen".
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Duration: 2:58 min
Difficulty: 2+
Difficulty: 2+
Article Nr: 168606
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Lustige Burschen/ Wir kommen bald wieder Robert Payer / Arr. Lothar Gottlöber
Lustige Burschen (Polka)
Wir kommen bald wieder (Walzer) - Siegertitel "Wettstreit nach Noten" im Deutschlandfunk
Robert Payer und seine Original-Burgenland-Kapelle
Gemeinschaftsausgabe der Verlage: Inntal Musikverlag und Simton Musikverlag
Besetzungsliste / Instrumentation:
Direktion / Akk. / Orgel
Gesang (nur bei Wir kommen bald wieder)
Flöte C
Klarinette Es
Klarinet ...
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Difficulty: 2
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Article Nr: 114131
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Omama und Opapa - Polka (Blasorchester Besetzung) Ernst Hutter
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Duration: 3:42 min
Difficulty: 3
Difficulty: 3
Article Nr: 179059
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Uschi-Polka Peter Fihn
Diese äußerst populäre Polka von Peter Fihn erschien erstmals 1973 und erfreut seitdem Zuhörer aller Generationen. Die Uschi-Polka ist leicht spielbar, was auch daran liegt, dass sie im 1. Flügelhorn und 1. Tenorhorn nicht zu hoch komponiert ist. Sie eignet sich hervorragend für Ständchen und andere unterhaltsame Auftritte. Diese nun in neuer Notengrafik erschienene Notenausgab ...
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Duration: 3:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 105009
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Isabel Polka Berthold Schick / Arr. Hans-Reiner Schmidt
Die Bestseller-Polka Isabel Polka hat Berthold Schick für seine Tochter Isabel komponiert. Arrangiert für kleine Besetzung wurde sie Hans-Reiner Schmidt.
Besetzungsliste
2 Flügelhörner/Trompete/Tenorhorn/Bariton/Tuba/Schlagzeug
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Duration: 3:35 min
Difficulty: 3+
Difficulty: 3+
Article Nr: 170685
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Junges Musikantenherz Peter Schad
Aus dem Repertoire der "Oberschwäbischen Dorfmusikanten" unter der Leitung von Peter Schad.
Ihr 25-jähriges Jubiläum feiern 2008 "Peter Schad und seine Oberschwäbischen Dorfmusikanten". Bei all ihren Auftritten haben sie sich stets ein "Junges Musikantenherz" bewahrt und sind daher beim Publikum allseits bekannt und beliebt.
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Duration: 3:45 min
Difficulty: 3
Difficulty: 3
Article Nr: 150770
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Kuschel - Polka Peter Schad
Peter Schad, Komponist und Orchesterleiter der "Oberschwäbischen Dorfmusikanten", begeistert sein Publikum seit über 30 Jahren mit immer neuen und erfrischenden Eigenkompositionen. Vor allem die Kuschel-Polka oder seine Jubiläumsklänge sind heute jedem Blasmusiker ein Begriff.
Aus dem Repertoire der "Oberschwäbischen Dorfmusikanten" unter der Leitung von Peter Schad.
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Duration: 3:20 min
Difficulty: 3
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Article Nr: 106545
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Kirsche Simon-Polka Markus Arnold / Arr. Thomas G. Greiner
Gewidmet von den Rhänmusikanten Waldberg zum 80. Geburtstag von Dorfmusikmeister Simon Söder
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Duration: 4:16 min
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Article Nr: 199083
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Löffelpolka (Löffel Polka) Antonin Borovicka / Arr. Gerald Weinkopf
Besetzung: Blasorchester
Komponist: Antonin Borovicka
Arrangement: Gerald Weinkopf
Stil / Art: Polka mit Löffel-Solo
Schwierigkeitsgrad: Mittelstufe 3
Spieldauer: 00:03:00
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Erscheinungsjahr: 1982
Ursprünglich als reines Instrumentalstück unter dem Titel Nejhezcí koutek (Gema Werknummer: 1328633) ('Die ...
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Duration: 3:00 min
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Difficulty: 3
Article Nr: 111689
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Gute Freunde (Polka) Heinz Lener / Arr. Rudi Seifert
Polka als Solo für Tenorhorn/Bariton
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Article Nr: 108184
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Liebestraum (Polka) Guido Henn
Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD '10 Jahre' gratis!
Bitte bestellen Sie hierzu:
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- die CD '10 Jahre'- und zusätzlich den Artikel CD Aktion HeBu - Volkstümliche CD gratis beim Kauf einer Notenausgabe ...
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Duration: 2:59 min
Difficulty: 3
Difficulty: 3
Article Nr: 91407
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Egerländer Perle (Polka) Johann Kaszner / Arr. Frank Pleyer
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Duration: 3:09 min
Difficulty: 3
Difficulty: 3
Article Nr: 139696
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Beer barrel polka (Rosamunde) Jaromir Vejvoda / Arr. Inge Sunde
46,95 €
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Duration: 2:00 min
Difficulty: 2
Difficulty: 2
Article Nr: 140499
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Rosenduft (Polka) Peter Schad
Peter Schad, Komponist und Orchesterleiter der "Oberschwäbischen Dorfmusikanten", begeistert sein Publikum seit über 30 Jahren mit immer neuen und erfrischenden Eigenkompositionen. Vor allem die Kuschel-Polka oder seine Jubiläumsklänge sind heute jedem Blasmusiker ein Begriff.
38,50 €
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Duration: 3:54 min
Difficulty: 3
Difficulty: 3
Article Nr: 139309
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Frag mich nie / Rosen so rot Frantisek Manas / Arr. Franz Bummerl
Frag mich nie / Rosen so rot
Frag mich nie (Jen mi hraj kapelo)
Besetzung / Instrumentation:Blasorchester, BeNeLux
Stil / Art: Art: Polka, Böhmisch
Komponist: Frantisek Manas
Textdichter: Franto Linharek
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Dauer: 00:03:41
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4
Rosen so ...
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Article Nr: 106113
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Märchen Polka (Pohadkova) (Große Blasmusik) Tommy Saliger / Arr. Johannes Thaler
Märchen-Polka (Pohadkova)Eine traumhaft schöne Polka von Tommy-Saligerund einem einfühlsamen Text von Kati Schubert.Lassen Sie sich verzaubern von diesermächenhaften Musik...Grad: 2-3A3-FormatTonart: As-/Es-/Des-DurBearbeitung: Johannes ThalerBesetzungsliste / Instrumentation:
Direktion in C
Flöte in C (2x)
Klarinette in Es
1. Klarinette in B (2x)
2. Klarinette in B (2x)
3. K ...
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Duration: 3:00 min
Difficulty: 2+
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Article Nr: 217133
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