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Polka

The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of František Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of František Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).

The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil šimla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.

By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.

Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.

The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.

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Williams Polka - Böhmische Besetzung - Engelbert Wörndle
Die "Williams Polka" ist eine Polka aus der Feder von Engelbert Wörndle für kleine Besetzung und stammt aus dem Repertoire der Innsbrucker Böhmischen. 1x Direktion in C1x Flöte in C1x Klarinette in Es1x 1. Klarinette in B1x 2. Klarinette in B1x 3. Klarinette in B1x Trompete in B2x 1. Flügelhorn in B2x 2. Flügelhorn in B2x Tenorhorn in B2x Bariton in B1x Bariton in C2x 1./2. ...
39,90 €
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Duration: 3:31 min
Difficulty: 2+
Composer: Engelbert Wörndle
Arranger: -
Article Nr: 185551
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Winzerfest Polka - Thomas Zsivkovits / Arr. Erwin Zsaitsits

Winzerfest Polka Thomas Zsivkovits / Arr. Erwin Zsaitsits

Thomas Zsivkovits vermischt mährische Blasmusik mit burgenländischer Musiktradition und lässt so etwas gänzlich Neues entstehen - so auch in seiner Polka "Winzerfest" für Blasorchester. Thomas Zsivkovits komponierte diese Polka für seine Blaskapelle Tschecharanka und verlieh ihr damit einen unverwechselbaren Sound.
43,90 €
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Duration: 3:10 min
Difficulty: 3
Composer: Thomas Zsivkovits
Arranger: Erwin Zsaitsits
Article Nr: 154592
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Wir sind Kinder von der Eger - Ernst Mosch / Arr. Gerald Weinkopf

Wir sind Kinder von der Eger Ernst Mosch / Arr. Gerald Weinkopf

Ernst Mosch u.s. Original Egerländer Musikanten Ernst Mosch u.s. Original Egerländer Musikanten Partitur (4-zeilig), Direktion/Keyboard in C, Flöte in C, Klarinette in Eb, 1.Klarinette in Bb, 2.Klarinette in Bb, 3.Klarinette in Bb, 1.Alt-Saxophon in Eb, 2.Alt-Saxophon in Eb, 1.Tenor-Saxophon in Bb, 2.Tenor-Saxophon in Bb, Bariton-Saxophon in Eb, 1.Flügelhorn in Bb, 2.Flügelhor ...
49,00 €
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Duration: 2:45 min
Difficulty: 3
Composer: Ernst Mosch
Arranger: Gerald Weinkopf
Article Nr: 111573
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Wirtshausfreuden  Polka - Blasorchester-Ausgabe - Markus Ebner
39,00 €
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Duration: --:-- min
Difficulty: -
Composer: Markus Ebner
Arranger: -
Article Nr: 223071
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Wunderbar (Gesangspolka) - Guido Henn
49,90 €
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Duration: 2:51 min
Difficulty: 3
Composer: Guido Henn
Arranger: -
Article Nr: 163081
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www.polkas.de (Mährische Polka) - Michael Kuhn
49,90 €
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Duration: 3:10 min
Difficulty: 3
Composer: Michael Kuhn
Arranger: -
Article Nr: 91260
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Zärtliche Blicke (Polka) - Michael Kuhn
49,90 €
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Duration: 3:06 min
Difficulty: 3
Composer: Michael Kuhn
Arranger: -
Article Nr: 91165
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Zeitenwende (Polka) - Michael Kuhn

Zeitenwende (Polka) Michael Kuhn

Kunden, die diesen Artikel kaufen, erhalten auf Wunsch die CD 'Gänsehautgefühl' (Artikelnummer 81499) gratis! Bitte bestellen Sie hierzu den Artikel, die CD und zusätzlich den Artikel 211761 CD Aktion HeBu
49,90 €
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Duration: 2:33 min
Difficulty: -
Composer: Michael Kuhn
Arranger: -
Article Nr: 91302
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Zum Geburtstag - Markus Nentwich

Zum Geburtstag Markus Nentwich

Wunderbar gemütliche Polka von Markus Nentwich, eingespielt von der Blaskapelle EBB. Diese leichte Polka versprüht mit angenehm langsamen Tempo eine entspannte Atmosphere, die jedem Geburtstagskind schmeichelt.
43,90 €
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Duration: 2:05 min
Difficulty: 2
Composer: Markus Nentwich
Arranger: -
Article Nr: 171152
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Zum Weinen schön (Polka) - erleichterte Fassung - Michael Kuhn
Guido Henn und seine Goldene Blasmusik in der Tonart B-Dur
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Duration: 3:15 min
Difficulty: 3
Composer: Michael Kuhn
Arranger: -
Article Nr: 91262
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Zurück zum Ursprung - Alexander Stütz

Zurück zum Ursprung Alexander Stütz

Heim kommen, sich wohl fühlen, wissen wo seine Wurzeln sind. Für viele von uns findet sich dieses Gefühl in der Musik wieder. Die charakterstarke Polka "Zurück zum Ursprung" nimmt dieses Gefühl auf und ist allen Musikern gewidmet, die ihre Wurzeln in der traditionellen Blasmusik gefunden haben. Vorsicht, Ohrwurmpotential! Besetzungsliste / Instrumentation: Direktion C Flöte ...
35,00 €
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Duration: 03:31 min
Difficulty: 3
Composer: Alexander Stütz
Arranger: -
Article Nr: 198795
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Zwei Freunde (Polka für 2 Tenorhörner) - Adi Rinner
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Duration: 2:29 min
Difficulty: 2
Composer: Adi Rinner
Arranger: -
Article Nr: 113872
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Zwei Musikantenherzen (Solopolka für Flügelhorn und Tenorhorn) - Antonin Kadlec
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Duration: 3:30 min
Difficulty: 3 ((Solo 3+))
Composer: Antonin Kadlec
Arranger: -
Article Nr: 91254
available in 6 days *

Zwei Tränen - Karel Vacek / Arr. Franz Bummerl

Zwei Tränen Karel Vacek / Arr. Franz Bummerl

Besetzung: Blasorchester Stil / Art: Konzertpolka, Böhmisch Komponist: Karel Vacek Arrangeur: Franz Bummerl Schwierigkeitsgrad: Unter-/Mittelstufe | 2 Spieldauer: 00:02:49 Interpret: MORAVANKA Aufnahme: Moravanka - Speziell für Sie (CD9010) Format: DIN A4 Die Konzert-Polka Zwei Tränen ist eines der bekanntesten Werke von Jan Slabak und seiner MORAVANKA Weitere ...
50,00 €
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Duration: 2:55 min
Difficulty: 2
Composer: Karel Vacek
Arranger: Franz Bummerl
Article Nr: 106399
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Zweisamkeit (Konzertpolka f. 2 Tromp. u. BLO) - Sepp Leitinger
49,00 €
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Duration: 3:19 min
Difficulty: 3
Composer: Sepp Leitinger
Arranger: -
Article Nr: 133052
available in 6 days *
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