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William Kraft
William Kraft composer
date of birth: 06.09.1923
date of death: 12.02.2022
William Kraft (September 6, 1923 February 12, 2022) was an American composer, conductor, teacher, timpanist, and percussionist.
Kraft began as a member of the Los Angeles Philharmonic's percussion section, before being promoted to the orchestra's principal timpanist. From 1968 to 1972, he also served as the orchestra's assistant conductor, under then music director Zubin Mehta. From 1981 to 1985, Kraft was Composer-in-Residence for the orchestra; during that period he founded and directed its New Music Group. Altogether he spent 26 years with the Philharmonic.
In 1958, Kraft founded the Los Angeles Percussion Ensemble, a group which made its debut on March 10 with the Monday Evening Concerts. The group performed the world and local premieres of works by Alberto Ginastera, Lou Harrison, Ernst Krenek, Igor Stravinsky, Edgard Varèse, and other composers. He performed in the local premiere of Pierre Boulez's Le marteau sans maître under the composer's direction and played the American premiere of Karlheinz Stockhausen's Zyklus. The latter led to a journalistic debate between Los Angeles Times music critic Albert Goldberg and Kraft, who took exception to the critic's use of the term "noisemakers" in reference to percussion instruments.
Kraft began as a member of the Los Angeles Philharmonic's percussion section, before being promoted to the orchestra's principal timpanist. From 1968 to 1972, he also served as the orchestra's assistant conductor, under then music director Zubin Mehta. From 1981 to 1985, Kraft was Composer-in-Residence for the orchestra; during that period he founded and directed its New Music Group. Altogether he spent 26 years with the Philharmonic.
In 1958, Kraft founded the Los Angeles Percussion Ensemble, a group which made its debut on March 10 with the Monday Evening Concerts. The group performed the world and local premieres of works by Alberto Ginastera, Lou Harrison, Ernst Krenek, Igor Stravinsky, Edgard Varèse, and other composers. He performed in the local premiere of Pierre Boulez's Le marteau sans maître under the composer's direction and played the American premiere of Karlheinz Stockhausen's Zyklus. The latter led to a journalistic debate between Los Angeles Times music critic Albert Goldberg and Kraft, who took exception to the critic's use of the term "noisemakers" in reference to percussion instruments.
