Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Die Lederhos`n - Polka Martin Scharnagl
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10 Polkas für 4 Musikanten - Posaune in Bb Josef Hönig
Kleine Blasmusik-Formationen liegen voll im Trend. Trotzdem gibt es relativ wenig Literatur für Kleinstbesetzungen. Erstmals präsentiert Deine Blasmusik hier eine Sammlung von 10 Polkas aus dem Lebenswerk des Banater Komponisten Josef Hönig, der selbst für die Neubearbeitungen verantwortlich zeichnet.
Gefühlvoll und gekonnt setzt er seine Melodien mit Ohrwurmcharakter für ei ...
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3 Polkas Diverse
Volkstümliche Musik aus dem Niederösterreichischen Weinviertel für 2 Flügelhörner, Tenorhorn, Bariton (B+C), Basstuba (C+B+Es).
Die einzelnen Titel der "3 Polkas" beziehen sich auf Feldabschnitte der bäuerlichen Landwirtschaft in der Katastralgemeinde Waidendorf der Marktgemeinde (A-2263) Dürnkrut wie sie auch heute noch Verwendung finden.
1) Am Goldberga (Polka schnell)
2) ...
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Allerhand Polka - Ausgabe Quattro Poly Florian Wolf / Arr. Alexander Pfluger
Florian Wolf alias Mr. Mucke und Tubist von QUATTRO POLY und Blechverrückt widmete diese schwungvolle Polka der Allerhand Stage beim Woodstock der Blasmusik 2015. Dieses Stück ist in der Besetzung Blechverrückt, als Blasorchster-Ausgabe und in der Ausgabe Kleine Blasbesetzung erhältlich. Das Arrangement erstellte Alexander Pfluger.
Format: DIN A4
Texter:
Instrumentation: ensem ...
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Auf der Vogelwiese (Polka) - Kleine Blasmusik Josef Poncar / Arr. Jaroslav Ondra
RUNDELs Kleine Blasmusik
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen.
Die neue Serie RUNDELs Kleine Blasmusik bietet dahe ...
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Duration: 3:32 min
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Beny Rehmann : Polka Hits Beny Rehmann
Album für Klavier / Akkordeon
und Bläser
UNTERHALTUNGSMUSIK
KLAVIER
SCHLAGER
Seifert, Rudi, ed|Oh Katharina|Jeden Tag geht die Sonne auf|Morgenmuffel|Freunde durch Musik|Unsere Oma|Uns're Oma|Schiffsfeger-Polka|Salz und Pfeffer|Drescher Polka
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Article Nr: 390689
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Boarisch-Hiasl Polka Traditional / Arr. Gerhard Hafner
Boarischpolka
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Egerländer Bauerntanz (4-er Besetzung) Markus Ringer / Arr. Franz Gerstbrein
Der Egerländer Bauerntanz ist eine leicht zu spielende Polka für zwischendurch. Das Stück, komponiert als Tanzpolka historischer Art, erinnert an die Tanzbodenmusik früherer Tage. Eingerichtet im Marschbuchformat ist der Egerländer Bauerntanz ein flexibel einsetzbarer Titel für viele Anlässe.
Genre: Polka
Besetzung / Instrumentation: Blasochester / Concert Band
Komponist / ...
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Duration: 2:25 min
Difficulty: 1
Difficulty: 1
Article Nr: 219201
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Happy Polka Party Diverse / Arr. Stefan Schwalgin
Die Formel Happy Polka wurde von dem legendären Bandleader James Last geprägt: bekannte, traditionelle Polka-Melodien, unterlegt von einem Beat-Groove, arrangiert im Big-Band-Sound mit Dominanz der Blechbläser. Seit Jahrzehnten lebt dieses Erfolgsrezept in Adaptionen für diverse Besetzungen fort und animiert Alt und Jung stets erneut zum Mitklatschen und -singen. Mit seiner n ...
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Duration: 5:30 min
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Article Nr: 933163
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Im Leben geht alles vorüber / Glücksrad-Polka - Salonorchester Peter Kreuder / Arr. Eric Hein
Alternative Bestellnummer: Weinberger 965-17
Alternative Bestellnummer: West Ton Verlag GmbH Köln W O 152A/1367
Im Leben geht alles vorüber
Musik: Peter Kreuder
Text: Schwenn / Schaeffers
Arrgt.: Eric HeinGlücksrad-Polka
Musik: Willy Berking
Text: Hans Feldt
Arrgt.: Hermann Sattler
Besetzungsliste / Instrumentation:
Direktion
Akkordeon
1. Violine a/b
1. Violine c ...
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Jockey-Polka op.278 Josef Strauss
für Salonorchester
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Kuschel-Polka (Kleine Besetzung) Peter Schad
Das Musizieren in kleiner Besetzung ist die ursprünglichste Form der Blasmusik und gewinnt derzeit immer mehr an Bedeutung. Im Ensemble können Musiker an wichtigen Fähigkeiten wie Intonation und Zusammenspiel arbeiten und ihre Spielfreude im direkten Kontakt mit dem Publikum zum Ausdruck bringen.
Die neue Serie RUNDELs Kleine Blasmusik bietet daher faszinierende Möglichkeite ...
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Melodious Etudes for Trumpet Marco Bordogni / Arr. Larry Clark
Die Melodischen Etüden für Trompete basieren auf den Vokalisen von Marco Bordogni. Diese Vokalisen gehören zu den musikalisch ansprechendsten des Vokalrepertoires. Sie wurden sorgfältig transkribiert und so arrangiert, dass sie für das Trompetenstudium geeignet sind. Diese Ausgabe präsentiert das Material in einer pädagogischen Reihenfolge, die von den einfachsten Tonarten und ...
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Polka From Czech Suite, Op. 39 Antonin Dvorak / Arr. Jeff Bailey
One of the most celebrated of traditional Czech dances, this movement from Dvorák's suite is a delight on any concert program. Minimal shifting for 1st Violins. D Minor/D Major.
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Südböhmische Polka - 7er Besetzung Ladislav Kubes / Arr. Berthold Schick
Südböhmische Polka
Besetzung / Instrumentation: 7er Besetzung
Stil / Art: Polka, Böhmisch
Komponist: Ladislav KubesBerthold Schick
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:03:11
Interpret: Berthold Schick & seine Allgäu 6
Format: DIN A4
Erscheinungsjahr: 2020
Die kleine Besetzung mit Blechblasinstrumenten stellt die Wurzel innerhalb der Böhmischen Blasmusik dar. ...
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