Shift Trip (+CD) : Zoé Martlew

Titel (DE): Shift, Trip - for amplified cello and pre-recorded soundtrack
Titel (EN): Shift, Trip - for amplified cello and pre-recorded soundtrack
Titel (FR): Shift, Trip - for amplified cello and pre-recorded soundtrack
Komponist / Composer: Martlew, Zoë
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violoncello und CD playback / cello and CD playback
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2005
Aufführungsdauer / Duration: 7'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 25.09.2014
Ausgabe / Publication: - - score and performance CD
score and performance CD - - -
Seiten / Pages: 12
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-2201-3538-5
ISMN-13: 979-0-2201-3538-5
ISMN-EAN: 9790220135385
UPC:

Inspired by Boulez's multi-cello piece Messagesquisse and John Scofield's inspired funk number Protocol, Shift, Trip is an unrelenting moto perpetuo for amplified cello and pre-recorded guitars, brass and percussion. Althoughchoreographed early on the piece is designed to stand alone. It demands virtuosity and great stamina from the performer over a five and a half octave range and requires exact synchronisation with the recorded backing trackwhose shifting rhythmic patterns trip up in unpredictable ways, as the title implies.I'm indebted to Lester Barnes for guiding me through his vast guitar, brass and explosion effects sample library, mixing the results, and to percussionist Julian Warburton for hitting a lot of metal in interesting ways.Zoë Martlew 2014

[FR]
Inspired by Boulez's multi-cello piece Messagesquisse and John Scofield's inspired funk number Protocol, Shift, Trip is an unrelenting moto perpetuo for amplified cello and pre-recorded guitars, brass and percussion. Althoughchoreographed early on the piece is designed to stand alone. It demands virtuosity and great stamina from the performer over a five and a half octave range and requires exact synchronisation with the recorded backing trackwhose shifting rhythmic patterns trip up in unpredictable ways, as the title implies.I'm indebted to Lester Barnes for guiding me through his vast guitar, brass and explosion effects sample library, mixing the results, and to percussionist Julian Warburton for hitting a lot of metal in interesting ways.Zoë Martlew 2014