Adagio und Fuge d-Moll Falck65 : Wilhelm Friedemann Bach

Titel (DE): Adagio und Fuge d-Moll Falck 65 -
Titel (EN): Adagio and Fugue D minor Falck 65 -
Titel (FR): Adagio and Fugue D minor Falck 65 -
Komponist / Composer: Bach, Wilhelm Friedemann
Herausgeber / Editor: Lebermann, Walter
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: Falck 65
Besetzung / Instrumentation: 2 Flöten und Streichorchester / 2 Flutes and String Orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 8'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 15.01.1971
Ausgabe / Publication: Partitur - Score -
- - -
Seiten / Pages: 20
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-02119-7
ISMN-13: 979-0-001-02119-7
ISMN-EAN: 9790001021197
UPC:

Though A.E. Brachvogel's portrayal of the "failed genius" in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another. In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the "sentimental" age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.

[FR]
Though A.E. Brachvogel's portrayal of the "failed genius" in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another. In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the "sentimental" age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.