Tocata & La Tumba de Alejandro Garcia Caturla from Islas y Montanas Shelley Hanson

Titel (DE): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Titel (EN): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Titel (FR): Tocata & La Tumba de Alejandro Garcia Caturla - from Islas y Montañas
Komponist / Composer: Hanson, Shelley
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Blasorchester / Wind band
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Boosey & Hawkes, New York
Erscheindungsdatum / Date of Publishing:
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages:
Verarbeitung: Mappe - Folder
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Windependence
ISMN: M-051-65989-0
ISMN-13: 979-0-051-65989-0
ISMN-EAN: 9790051659890
UPC: 73999554083

Shelley Hanson originally composed Islas y Montañas for orchestra. "Tocata" is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for "La Tumba de Alejandro Garcia Caturla," originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

La Tumba - Tocata

Shelley Hanson originally composed Islas y Montanas for orchestra. 'Tocata' is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for 'La Tumba de Alejandro Garcia Caturla' originally the fouth movement from Islas y Montanas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing priveded) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

[FR]
Shelley Hanson originally composed Islas y Montañas for orchestra. "Tocata" is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for "La Tumba de Alejandro Garcia Caturla," originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

La Tumba - Tocata

M-051-65989-0