ED20994 Doppelkonzert für Klavier, Violoncello Rodion Shchedrin

Titel (DE): Double Concerto - for piano, violoncello and orchestra
Titel (EN): Double Concerto - for piano, violoncello and orchestra
Titel (FR): Double concerto - pour piano, violoncelle et orchestre "Romantic Offering"
Komponist / Composer: Shchedrin, Rodion
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier, Violoncello und Orchester / piano, cello and orchestra
Besetzungsdetails: Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 3 · 3 · 1 - P. S. (Crot. · Guiro [h.] · Cup bell [h.] · kl. Tr.) (3 Spieler) - Str.
Kompositionsjahr / Date of Composition: 2010
Aufführungsdauer / Duration: 30'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 17.08.2011
Ausgabe / Publication: Klavierauszug mit Solostimmen - Piano reduction with solo parts -
- - -
Seiten / Pages: 190
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-17519-7
ISMN-13: 979-0-001-17519-7
ISMN-EAN: 9790001175197
UPC:

Double concerto for piano, violoncello and orchestra bears the subtitle 'Romantic Offering' by which the composer describes the idea and intellectual form of the musical material. At the same time, he tries to take the artistic character and individual qualities of the two soloists at the world premiere, Martha Argerich and Mischa Maisky, into account. Whereas the first two movements are rather dramatic, the third and last part, the sostenuto assai, is kind of a 'postscriptum' and a musical summary of the two previous parts.

[FR]
Double concerto for piano, violoncello and orchestra bears the subtitle 'Romantic Offering' by which the composer describes the idea and intellectual form of the musical material. At the same time, he tries to take the artistic character and individual qualities of the two soloists at the world premiere, Martha Argerich and Mischa Maisky, into account. Whereas the first two movements are rather dramatic, the third and last part, the sostenuto assai, is kind of a 'postscriptum' and a musical summary of the two previous parts.

und Orchester für für Klavier, Violoncello und Klavier, Stimmen