Beethovens Heiligenstädter Testament : Rodion Shchedrin

Titel (DE): Beethovens Heiligenstädter Testament - Sinfonisches Fragment für Orchester
Titel (EN): Beethovens Heiligenstädter Testament - Symphonic Fragment for Orchestra
Titel (FR): Beethovens Heiligenstädter Testament - Symphonic Fragment for Orchestra
Komponist / Composer: Shchedrin, Rodion
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Orchester / orchestra
Besetzungsdetails: Picc. · 2 · 2 · 2 · 2 - 3 · 2 · 3 · 0 - P. - Str. (16 · 14 · 12 · 10 · 8)
Kompositionsjahr / Date of Composition: 2008
Aufführungsdauer / Duration: 12'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 26.10.2009
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Musik unserer Zeit
ISMN: M-001-17005-5
ISMN-13: 979-0-001-17005-5
ISMN-EAN: 9790001170055
UPC:

Emotional depth and riveting virtuosity - these elements are what characterise many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with the musical folklore and poetry of his home country has never been severed. This 'Symphonic Fragment', premiered by Mariss Jansons with the Symphony Orchestra of the Bavarian Radio, refers to the life of Beethoven and the first major existential crisis of the then 31-year-old composer from Vienna. Even if Shchedrin fails to include explicit quotations, suggestions of Beethoven's 'Eroica' can well be found. The study score on sale now allows one to become thoroughly acquainted with Shchedrin's masterly skills as a composer and his virtuoso treatment of the orchestra in this work.

[FR]
Emotional depth and riveting virtuosity - these elements are what characterise many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with the musical folklore and poetry of his home country has never been severed. This 'Symphonic Fragment', premiered by Mariss Jansons with the Symphony Orchestra of the Bavarian Radio, refers to the life of Beethoven and the first major existential crisis of the then 31-year-old composer from Vienna. Even if Shchedrin fails to include explicit quotations, suggestions of Beethoven's 'Eroica' can well be found. The study score on sale now allows one to become thoroughly acquainted with Shchedrin's masterly skills as a composer and his virtuoso treatment of the orchestra in this work.