Werke für Pedalflügel und Orgel Robert Schumann

Titel (DE): Werke für Pedalflügel und Orgel - Herausgegeben von Arnfried Edler
Titel (EN): Works for pedal piano and organ - Edited by Arnfried Edler
Titel (FR): Works for pedal piano and organ - Edited by Arnfried Edler
Komponist / Composer: Schumann, Robert
Herausgeber / Editor: Edler, Arnfried
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: /
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 26.11.2012
Ausgabe / Publication: Partitur und Kritischer Bericht - Score and critical report - Gesamtausgabe
complete edition - - -
Seiten / Pages: 280
Verarbeitung: Leinen - Cloth
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch
Reihe / Series:
ISMN: M-001-14776-7
ISMN-13: 979-0-001-14776-7
ISMN-EAN: 9790001147767
UPC:

The three soloistic compositions were much influenced by a fundamental new beginning in composing. His works were no longer to be characterized by intuitive composing based on sudden impulses. Now, counterpoint and fugue rather moved into the focus of Schumann's interest, with the latter being not least inspired by his close relationship with Mendelssohn who was an excellent interpreter of works by Bach. The fact that counterpoint was anything but a dead relic to Schumann can be gathered from his reviews: 'In any case, the best fugue always is the one that the public takes for a Strauss waltz, [].'

Studien für den Pedalflügel, op. 56 - Skizzen für den Pedal-Flügel, op. 58 - Sechs Fugen über den Namen Bach, op. 60 - Kritischer Bericht

[FR]
The three soloistic compositions were much influenced by a fundamental new beginning in composing. His works were no longer to be characterized by intuitive composing based on sudden impulses. Now, counterpoint and fugue rather moved into the focus of Schumann's interest, with the latter being not least inspired by his close relationship with Mendelssohn who was an excellent interpreter of works by Bach. The fact that counterpoint was anything but a dead relic to Schumann can be gathered from his reviews: 'In any case, the best fugue always is the one that the public takes for a Strauss waltz, [].'

Studien für den Pedalflügel, op. 56 - Skizzen für den Pedal-Flügel, op. 58 - Sechs Fugen über den Namen Bach, op. 60 - Kritischer Bericht