Konzert a-Moll op.54 für Klavier und Robert Schumann

Titel (DE): Konzert a-Moll op. 54 -
Titel (EN): Concerto A minor op. 54 -
Titel (FR): Concerto pour piano en la mineur op. 54 -
Komponist / Composer: Schumann, Robert
Herausgeber / Editor: Appel, Bernhard R.
Bearbeiter / Arranger:
Illustrator:
Opus: op. 54
Werkverzeichnis:
Besetzung / Instrumentation: Klavier und Orchester / piano and orchestra
Besetzungsdetails: 2 Fl, 2 Ob, 2 Klar, 2 Fg, 2 Hr, 2 Tr - Str.
Kompositionsjahr / Date of Composition: 1845
Aufführungsdauer / Duration: 30'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 09.12.2010
Ausgabe / Publication: Klavierauszug - Piano reduction - für 2 Klaviere
for 2 pianos - - -
Seiten / Pages: 108
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-17133-5
ISMN-13: 979-0-001-17133-5
ISMN-EAN: 9790001171335
UPC:

'The piano is most subtly interwoven with the orchestra - one cannot think of one without the other. [...] In this Piano Concerto the pianist is not only soloist but orchestral musician as well', Clara Schumann wrote after the world premiere. As she and even all following pianists had to learn, the unusually tight integration of the piano into the orchestra put increased demands on the pianist and the conductor - since the contrast principle of classical solo concertos here makes way for a fusion principle. Despite certain initial difficulties of understanding, the Piano Concerto became one of the most popular pieces of Romantic music.
Dans cette uvre, l'intégration du piano dans l'orchestre impose au pianiste comme au chef d'orchestre des exigences accrues. Malgré certaines difficultés de compréhension au début, le Concerto pour piano devint un des morceaux favoris de la musique romantique.

[FR]
'The piano is most subtly interwoven with the orchestra - one cannot think of one without the other. [...] In this Piano Concerto the pianist is not only soloist but orchestral musician as well', Clara Schumann wrote after the world premiere. As she and even all following pianists had to learn, the unusually tight integration of the piano into the orchestra put increased demands on the pianist and the conductor - since the contrast principle of classical solo concertos here makes way for a fusion principle. Despite certain initial difficulties of understanding, the Piano Concerto became one of the most popular pieces of Romantic music.
Dans cette uvre, l'intégration du piano dans l'orchestre impose au pianiste comme au chef d'orchestre des exigences accrues. Malgré certaines difficultés de compréhension au début, le Concerto pour piano devint un des morceaux favoris de la musique romantique.