Missa sacra op.147 : für gem Chor Robert Schumann

Titel (DE): Missa sacra op. 147 - für vierstimmigen Chor mit Begleitung des Orchesters
Titel (EN): Missa sacra op. 147 - for four-part choir and orchestra
Titel (FR): Missa Sacra op. 147 - pour choeur à quatre voix et orchestre
Komponist / Composer: Schumann, Robert
Herausgeber / Editor: Appel, Bernhard R.
Bearbeiter / Arranger:
Illustrator:
Opus: op. 147
Werkverzeichnis:
Besetzung / Instrumentation: Chor und Orchester / choir and orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 18.01.2010
Ausgabe / Publication: Studienpartitur - Study score -
- Rev. Neuausgabe - -
Seiten / Pages: 176
Verarbeitung: Broschur - Paperback/Softcover
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Lateinisch
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-2550-1
ISMN-13: 979-0-2002-2550-1
ISMN-EAN: 9790200225501
UPC: 841886014534

Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.
Comme auparavant chez Schubert et plus tard chez Bruckner, la messe en ut mineur de Schumann est, elle aussi, liée à la tradition mais trouve une formulation toute personnelle de l'"Ordinarium Missae" dont les caractéristiques renvoient au style tardif du compositeur.
Preface - Vorwort - Kyrie - Gloria - Credo - Offertorium - Sanctus - Agnus Dei

[FR]
Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Comme auparavant chez Schubert et plus tard chez Bruckner, la messe en ut mineur de Schumann est, elle aussi, liée à la tradition mais trouve une formulation toute personnelle de l'"Ordinarium Missae" dont les caractéristiques renvoient au style tardif du compositeur.
Comme auparavant chez Schubert et plus tard chez Bruckner, la messe en ut mineur de Schumann est, elle aussi, liée à la tradition mais trouve une formulation toute personnelle de l'"Ordinarium Missae" dont les caractéristiques renvoient au style tardif du compositeur.
Preface - Vorwort - Kyrie - Gloria - Credo - Offertorium - Sanctus - Agnus Dei