Introduction and Allegro (Danse macabre) - Three Jazz Settings Ramon Ricker

Titel (DE): Introduction and Allegro (Danse macabre) - Three Jazz Settings
Titel (EN): Introduction and Allegro (Danse macabre) - Three Jazz Settings
Titel (FR): Introduction and Allegro (Danse macabre) - Three Jazz Settings
Komponist / Composer: Ricker, Ramon
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: 4 Saxophone (SATBar) / 4 saxophones (SATBar)
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.2000
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - schwer - advanced - difficult - avancé - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0086-8
ISMN-13: 979-0-2063-0086-8
ISMN-EAN: 9790206300868
UPC: 805095076745

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes "bluesy" and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone. Medium-advanced

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone. Medium-advanced

[FR]
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes "bluesy" and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone. Medium-advanced

Rückendrahtheftung

Ausgabe: Partitur und Stimmen / score and parts
ISBN: 978-3-89221-735-0
ISMN: 979-0-2063-0086-8