Variationen über ein Rokoko-Thema für V Piotr Ilich Tchaikowsky (Pyotr Peter Ilyich Iljitsch Tschaikovsky)

Titel (DE): Variationen über ein Rokoko-Thema für Violoncello und Orchester op. 33 - Originalfassung
Titel (EN): Variations on a Rococo Theme for Cello and Orchestra op. 33 - Original Version
Titel (FR): Variations sur un thème rococo pour violoncelle et orchestre op. 33 - Version originale
Komponist / Composer: Tschaikowsky, Peter Iljitsch
Herausgeber / Editor: Kohlhase, Thomas
Bearbeiter / Arranger:
Illustrator:
Opus: op. 33
Werkverzeichnis:
Besetzung / Instrumentation: Violoncello und Orchester / cello and orchestra
Besetzungsdetails: 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte - 2 Hörner - Streicher
Kompositionsjahr / Date of Composition: 1876
Aufführungsdauer / Duration:
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 20.04.2009
Ausgabe / Publication: Bläserstimmensatz - Set of wind parts - Flöte 1, Flöte 2, Oboe 1, Oboe 2, Klarinette 1, Klarinette 2, Fagott 1, Fagott 2, Horn 1, Horn 2
flute 1, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, horn 1, horn 2 - - -
Seiten / Pages: 52
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series:
ISMN: M-2002-2515-0
ISMN-13: 979-0-2002-2515-0
ISMN-EAN: 9790200225150
UPC: 841886013018

An homage of Tchaikovsky to the great admired example of Mozart and a challenge to the solo cellist: 'Rokoko-Variationen' the theme of which follows closely the style of 18th-century music demands a maximum of performing and technical brilliance from the solo cellist. The variations are musically connected by orchestral ritornellos which, with regard to music and substance, almost form a second sequence of variations.

[FR]
An homage of Tchaikovsky to the great admired example of Mozart and a challenge to the solo cellist: 'Rokoko-Variationen' the theme of which follows closely the style of 18th-century music demands a maximum of performing and technical brilliance from the solo cellist. The variations are musically connected by orchestral ritornellos which, with regard to music and substance, almost form a second sequence of variations.