6 introduzioni teatrali op.4,1-6 : Pietro Locatelli

Titel (DE): 6 Introduzioni teatrali op. 4/1-6 Band 1 -
Titel (EN): 6 Introduzioni teatrali op. 4/1-6 Vol. 1 -
Titel (FR): 6 Introduzioni teatrali op. 4/1-6 Vol. 1 -
Komponist / Composer: Locatelli, Pietro Antonio
Herausgeber / Editor: Cattoretti, Anna
Bearbeiter / Arranger:
Illustrator:
Opus: op. 4/1-6
Werkverzeichnis:
Besetzung / Instrumentation: Streichorchester und Basso continuo / string orchestra and basso continuo
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 28.01.2008
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 116
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-2479-5
ISMN-13: 979-0-2002-2479-5
ISMN-EAN: 9790200224795
UPC: 841886010949

At first glance, the Introduzioni appear to be lively three-movement works with a standardized order of movements and harmonic order: fast - slow - fast, major - minor - major. With regard to style, the short symphonies resemble the Neapolitan opera buffa, the descriptive title Introduzioni implying the function, the introduction to stage works. With his 6 Introduzioni teatrali, composed in 1735, the talented Italian violinist and composer Pietro Antonio Locatelli who had lived in Amsterdam since 1729 perhaps paid tribute to the great demand on the part of the Dutch amateur orchestras. But were the master and his oeuvre actually as well adjusted as it seems? Locatelli's works were well known throughout Europe until the end of the 18th century, although the composer led a very secluded life. He had no students and never performed in public. In his adopted city Amsterdam he worked freely, without being controlled by the church or the court. An unusual lifestyle for an 18th-century composer – and also an unusual composition?

Preface - Introduzione No. 1 D major - Allegro - Allegro - Presto - Introduzione No. 2 F major - Allegro - Andante - Allegro - Introduzione No. 3 Bb major - Allegro - Andante - Presto - Introduzione No. 4 G major- Allegro - Andante - Presto - Introduzione No. 5 D major- Allegro - Andante - Presto - Introduzione No. 6 C major- Vivace - Andante - Presto

[FR]
At first glance, the Introduzioni appear to be lively three-movement works with a standardized order of movements and harmonic order: fast - slow - fast, major - minor - major. With regard to style, the short symphonies resemble the Neapolitan opera buffa, the descriptive title Introduzioni implying the function, the introduction to stage works. With his 6 Introduzioni teatrali, composed in 1735, the talented Italian violinist and composer Pietro Antonio Locatelli who had lived in Amsterdam since 1729 perhaps paid tribute to the great demand on the part of the Dutch amateur orchestras. But were the master and his oeuvre actually as well adjusted as it seems? Locatelli's works were well known throughout Europe until the end of the 18th century, although the composer led a very secluded life. He had no students and never performed in public. In his adopted city Amsterdam he worked freely, without being controlled by the church or the court. An unusual lifestyle for an 18th-century composer – and also an unusual composition?

Preface - Introduzione No. 1 D major - Allegro - Allegro - Presto - Introduzione No. 2 F major - Allegro - Andante - Allegro - Introduzione No. 3 Bb major - Allegro - Andante - Presto - Introduzione No. 4 G major- Allegro - Andante - Presto - Introduzione No. 5 D major- Allegro - Andante - Presto - Introduzione No. 6 C major- Vivace - Andante - Presto