Eine kleine Nachtmusik : für Klavier Peteris Vasks

Titel (DE): Eine kleine Nachtmusik - (A Little Night Music)
Titel (EN): A Little Night Music - (A Little Night Music)
Titel (FR): A Little Night Music - (A Little Night Music)
Komponist / Composer: Vasks, P?teris
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1978
Aufführungsdauer / Duration: 14'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 11.02.2008
Ausgabe / Publication: - -
- - -
Seiten / Pages: 16
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-08283-9
ISMN-13: 979-0-001-08283-9
ISMN-EAN: 9790001082839
UPC:

Peteris Vask's Eine kleine Nachtmusik, composed in 1978, is an example of the tragedy of past eras and a small-scale requiem for the hope of people of all ages. The title borrowed from Mozart is here coloured in a poignantly ironical hue. The greater the musical experience of the listener, the deeper is the understanding of this music and its composer. For example, the Latvian speech melody and the proximity of the diatonic folk song to the mediaeval sequence Dies irae suddenly reveals itself as a concept of night music from a more general aspect. The rhythmically constant pulsation in the piano bass subsequently assumes a semantic significance and could possibly be an elegy for Schubert's Erlkönig.

[FR]
Peteris Vask's Eine kleine Nachtmusik, composed in 1978, is an example of the tragedy of past eras and a small-scale requiem for the hope of people of all ages. The title borrowed from Mozart is here coloured in a poignantly ironical hue. The greater the musical experience of the listener, the deeper is the understanding of this music and its composer. For example, the Latvian speech melody and the proximity of the diatonic folk song to the mediaeval sequence Dies irae suddenly reveals itself as a concept of night music from a more general aspect. The rhythmically constant pulsation in the piano bass subsequently assumes a semantic significance and could possibly be an elegy for Schubert's Erlkönig.