Caprice basque op.24 : für Violine und Klavier Pablo de Sarasate

Titel (DE): Caprice basque op. 24 -
Titel (EN): Caprice basque op. 24 -
Titel (FR): Caprice basque op. 24 -
Komponist / Composer: Sarasate, Pablo de
Herausgeber / Editor: Birtel, Wolfgang / Eichhorn, Friedemann
Bearbeiter / Arranger:
Illustrator:
Opus: op. 24
Werkverzeichnis:
Besetzung / Instrumentation: Violine und Klavier / violin and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 11.03.2013
Ausgabe / Publication: - -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-18953-8
ISMN-13: 979-0-001-18953-8
ISMN-EAN: 9790001189538
UPC: 841886019171

Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him: for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. In 'Caprice Basque' (Capricho vasco) Op. 24, Sarasate used Spanish folk tunes. He dedicated this piece to the composer, conductor and pianist Otto Goldschmidt, a pupil of Mendelssohn. This work is influenced by the typically dotted rhythm of the 'zortzico', a Basque dance in 5/8 metre a virtuoso and rousing piece for virtuosos.
Sarasate utilise dans le Caprice basque op. 24 des mélodies populaires espagnoles. Il a dédié cette pièce au compositeur, chef d'orchestre et pianiste Otto Goldschmidt, un élève de Mendelssohn. L'uvre est influencée par le rythme caractéristique du zortzico, une danse basque en 5/8 ­ une pièce virtuose et exaltante.

[FR]
Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him: for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. In 'Caprice Basque' (Capricho vasco) Op. 24, Sarasate used Spanish folk tunes. He dedicated this piece to the composer, conductor and pianist Otto Goldschmidt, a pupil of Mendelssohn. This work is influenced by the typically dotted rhythm of the 'zortzico', a Basque dance in 5/8 metre a virtuoso and rousing piece for virtuosos.
Sarasate utilise dans le Caprice basque op. 24 des mélodies populaires espagnoles. Il a dédié cette pièce au compositeur, chef d'orchestre et pianiste Otto Goldschmidt, un élève de Mendelssohn. L'uvre est influencée par le rythme caractéristique du zortzico, une danse basque en 5/8 ­ une pièce virtuose et exaltante.