Fontane di Roma : für Orchester Ottorino Respighi

Titel (DE): Fontane di Roma - Poema sinfonico
Titel (EN): Fountains of Rome - Poema sinfonico
Titel (FR): Les Fontaines de Rome - Poème symphonique
Komponist / Composer: Respighi, Ottorino
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: großes Orchester / large orchestra
Besetzungsdetails: 2 Flöten, Piccolo, 2 Oboen, Englischhorn, 2 Klarinetten, Bassklarinette, 2 Fagotte - 4 Hörner, 3 Trompeten, 3 Posaunen, Basstuba - Pauken, Triangel, Becken, Glockenspiel, Celesta, 2 Harfen, Klavier, Orgel - Streicher
Kompositionsjahr / Date of Composition: 1917
Aufführungsdauer / Duration: 18'
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 01.03.2010
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 88
Verarbeitung: Broschur - Paperback/Softcover
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Deutsch Englisch
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-2492-4
ISMN-13: 979-0-2002-2492-4
ISMN-EAN: 9790200224924
UPC: 841886012059

With the symphonic poem Fontane di Roma, Respighi began the so-called 'Roman Trilogy', taking up a wide-spread subject in the fields of literature and music. Since the French harpsichordists, waterworks have always been the subject of programmatic music, and even the poetry of the 'seicento' already dealt with the Roman fountains. Respighi's setting, however, is not just an onomatopoeic representation of waterworks. As is explained by Respighi in his specially attached programme, the music captures moods and pictures that are generated within the viewer while looking at the fountains.
Ainsi que l'explique Respighi, la musique capture les humeurs et les images que la vue des fontaines éveille chez ceux qui les contemplent.
Preface - Vorwort - Programma/Programme/Programm - La fontana di Valle Giulia all'alba - La fontana del Tritone al mattino - La fontana di Trevi al meriggio - La fontana di Villa Mdici al tramonto

[FR]
With the symphonic poem Fontane di Roma, Respighi began the so-called 'Roman Trilogy', taking up a wide-spread subject in the fields of literature and music. Since the French harpsichordists, waterworks have always been the subject of programmatic music, and even the poetry of the 'seicento' already dealt with the Roman fountains. Respighi's setting, however, is not just an onomatopoeic representation of waterworks. As is explained by Respighi in his specially attached programme, the music captures moods and pictures that are generated within the viewer while looking at the fountains.
Ainsi que l'explique Respighi, la musique capture les humeurs et les images que la vue des fontaines éveille chez ceux qui les contemplent.
Preface - Vorwort - Programma/Programme/Programm - La fontana di Valle Giulia all'alba - La fontana del Tritone al mattino - La fontana di Trevi al meriggio - La fontana di Villa Mdici al tramonto