Hämmerklavier 7-11 : Zyklus für Klavier Moritz Eggert

Titel (DE): Hämmerklavier - Teil VII-XI
Titel (EN): Hämmerklavier - Part VII-XI
Titel (FR): Hämmerklavier - Part VII-XI
Komponist / Composer: Eggert, Moritz
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Klavier / piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1995 - 1998
Aufführungsdauer / Duration: 33'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 11.09.2001
Ausgabe / Publication: - -
- - -
Seiten / Pages: 70
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-12640-3
ISMN-13: 979-0-001-12640-3
ISMN-EAN: 9790001126403
UPC:

Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The Hämmer' of the title refers not to the mechanical action of the pianoforte nor to Beethoven's Hammerklaviersonata' but to the mental approach required of the performer who doesn't just simply depress the keys of the piano but needs to be a true performance artist'. The composer has recorded the entire cycle for WERGO (WER 6611-2).

VII. Geheimes Verlangen (für Louis Andriessen) - VIII. Underground (für Wolfgang Rihm) - IX. Jerusalem (für Claus Kühnl) - X. Mouth Organ (für Helmut Lachenmann) - XI. What if 1 Composer from 1 country wrote 60 pieces under a second for solo piano? (für Guy Livingston)

[FR]
Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The Hämmer' of the title refers not to the mechanical action of the pianoforte nor to Beethoven's Hammerklaviersonata' but to the mental approach required of the performer who doesn't just simply depress the keys of the piano but needs to be a true performance artist'. The composer has recorded the entire cycle for WERGO (WER 6611-2).

VII. Geheimes Verlangen (für Louis Andriessen) - VIII. Underground (für Wolfgang Rihm) - IX. Jerusalem (für Claus Kühnl) - X. Mouth Organ (für Helmut Lachenmann) - XI. What if 1 Composer from 1 country wrote 60 pieces under a second for solo piano? (für Guy Livingston)