Brass Master Class (EN) Malte Burba

Titel (DE): Brass Master Class - Method for brass players
Titel (EN): Brass Master Class - Method for brass players
Titel (FR): Brass Master Class - Method for brass players
Komponist / Composer:
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Blechblas-Instrumente / Brass Instruments
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 08.10.1997
Ausgabe / Publication: - -
- - -
Seiten / Pages: 64
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: leicht - easy - facile
Sprache / Language: Englisch
Reihe / Series:
ISMN: M-001-12168-2
ISMN-13: 979-0-001-12168-2
ISMN-EAN: 9790001121682
UPC:

Not only does Malte Burba rank among the most interesting and versatile brass players of our time, he is also considered to be one of the best brass teachers worldwide. Many of his students play in leading orchestras or teach at major conservatories. One of the pillars of his pedagogy is the pioneering method developed by him for playing brass instruments which, in an absolutely logical manner, eliminates all technical and embouchure-related problems.
Malte Burba non è solo da annoverare tra le schiere dei migliori e versatili musicisti di ottoni del nostro tempo, ma anche uno dei migliori insegnanti al mondo di questi strumenti. Questo metodo, da lui sviluppato, è sicuramente uno dei pilastri portanti nell'insegnamento di questi strumenti.
A note about the author - Why this book? - Basic considerations - Generator I - Breathing I, the first rule - Methodology - Breathing II, the second rule - Glottis I, Generator II - Tongue and lower jaw-glottis II - Mimic muscular system - Coordination and synchronisation I-glottis III - Transfer to the instrument I - Coordination and synchronisation II-generator III - Transfer to the instrument II - Summary - Glossary

[FR]
Not only does Malte Burba rank among the most interesting and versitale brass players of our time, he is also considered to be one of the best brass teachers worldwide. Many of his students play in leading orchestras or teach at major conservatories. One of the pillars of his pedagogy is the pioneering method developed by him for playing brass instruments wich, in an absolutely logical manner, eliminates all technical and embouchure-related problems.
Malte Burba non è solo da annoverare tra le schiere dei migliori e versatili musicisti di ottoni del nostro tempo, ma anche uno dei migliori insegnanti al mondo di questi strumenti. Questo metodo, da lui sviluppato, è sicuramente uno dei pilastri portanti nell'insegnamento di questi strumenti.
A note about the author - Why this book? - Basic considerations - Generator I - Breathing I, the first rule - Methodology - Breathing II, the second rule - Glottis I, Generator II - Tongue and lower jaw-glottis II - Mimic muscular system - Coordination and synchronisation I-glottis III - Transfer to the instrument I - Coordination and synchronisation II-generator III - Transfer to the instrument II - Summary - Glossary

Method for brass players
The logical way to attain unlimited control, endurance and range


Not only does Malte Burba rank among the most interesting and versitale brass players of our time, he is also considered to be one of the best brass teachers worldwide. Many of his students play in leading orchestras or teach at major conservatories. One of the pillars of his pedagogy is the pioneering method developed by him for playing brass instruments wich, in an absolutely logical manner, eliminates all technical and embouchure-related problems.

Bindung: Rückendrahtheftung
ISBN: 978-3-7957-5339-9
ISMN: 979-0-001-12168-2
Inhaltstext: A note about the author
Why this book?
Basic considerations
Generator I
Breathing I, the first rule
Methodology
Breathing II, the second rule
Glottis I, Generator II
Tongue and lower jaw-glottis II
Mimic muscular system
Coordination and synchronisation I-glottis III
Transfer to the instrument I
Coordination and synchronisation II-generator III
Transfer to the instrument II
Summary
Glossary
Schwierigkeit: leicht
Seitenzahl: 64
Verlag: Schott Music