Concerto no.1 for Cello and Orchestra Magnus Lindberg

Titel (DE): Cello Concerto No. 1 -
Titel (EN): Cello Concerto No. 1 -
Titel (FR): Cello Concerto No. 1 -
Komponist / Composer: Lindberg, Magnus
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violoncello und Orchester / cello and orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 25'
Verlag / Publisher: Boosey & Hawkes
Erscheindungsdatum / Date of Publishing: 23.10.2019
Ausgabe / Publication: Klavierauszug mit Solostimme - Piano reduction with solo part -
- - -
Seiten / Pages: 100
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-060-12343-6
ISMN-13: 979-0-060-12343-6
ISMN-EAN: 9790060123436
UPC: 840126908787

Commissioned by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindberg's solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called seagull' glissando.

[FR]
Commissioned by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindberg's solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called seagull' glissando.

for cello and piano