Ave Regina caelorum Kim André Arnesen

Titel (DE): Ave Regina caelorum - Marian antiphone
Titel (EN): Ave Regina caelorum - Marian antiphone
Titel (FR): Ave Regina caelorum - Marian antiphone
Komponist / Composer: Arnesen, Kim André
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Chor (SSAA divisi) a cappella / choir (SSAA divisi) a cappella
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 5'
Verlag / Publisher: Boosey & Hawkes
Erscheindungsdatum / Date of Publishing: 04.03.2020
Ausgabe / Publication: Chorpartitur - Choral score - mit Klavierbegleitung zu Probenzwecken
with piano accompaniment for rehearsal only - - -
Seiten / Pages: 16
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - intermediate - moyen
Sprache / Language: Lateinisch
Reihe / Series: Contemporary Choral Series
ISMN: M-060-13702-0
ISMN-13: 979-0-060-13702-0
ISMN-EAN: 9790060137020
UPC: 840126930771

This setting of Ave Regina cælorum (Hail, O Queen of Heaven), one of the four Marian antiphons with origins in the 4th century, is a joyous work for upper voices, suitable for children's or women's choirs. It is full of energy and, although it is largely homophonic, the rhythmic interplay between the parts creates interesting textures which combine with Arnesen's recognisable, beautiful harmonic language. The jubilant outer sections contrast with a slower, more mysterious middle section where the text speaks of the Virgin Mary's beauty. A joy to both sing and listen to, this new piece will make an attractive addition to a concert or service.

[FR]
This setting of Ave Regina cælorum (Hail, O Queen of Heaven), one of the four Marian antiphons with origins in the 4th century, is a joyous work for upper voices, suitable for children's or women's choirs. It is full of energy and, although it is largely homophonic, the rhythmic interplay between the parts creates interesting textures which combine with Arnesen's recognisable, beautiful harmonic language. The jubilant outer sections contrast with a slower, more mysterious middle section where the text speaks of the Virgin Mary's beauty. A joy to both sing and listen to, this new piece will make an attractive addition to a concert or service.

für gem Chor und Klavier Chorpartitur (la)