Adiemus II - Cantata Mundi Karl Jenkins

Titel (DE): Adiemus II - Cantata Mundi - Choral Suite
Titel (EN): Adiemus II - Cantata Mundi - Choral Suite
Titel (FR): Adiemus II - Cantata Mundi - Choral Suite
Komponist / Composer: Jenkins, Karl
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Frauenchor (SSA), Klavier und Blockflöte (optional) / female choir (SSA), piano and recorder (optional)
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1996
Aufführungsdauer / Duration:
Verlag / Publisher: Boosey & Hawkes
Erscheindungsdatum / Date of Publishing:
Ausgabe / Publication: Klavierauszug - Piano reduction - 10er Pack
pack of 10 - - -
Seiten / Pages: 72
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Vokalisen
Reihe / Series:
ISMN: M-060-10711-5
ISMN-13: 979-0-060-10711-5
ISMN-EAN: 9790060107115
UPC:

"Cantata mundi" is a development of ideas first heard in "Songs of Sanctuary", where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European classical technique to present a unified work. Vocally, the spread of influence is wider than in "Songs of Sanctuary", with Eastern European and Arabic sounds added to the African, "Celtic" and ecclesiastical blend. Once again, the text is written phonetically with the words viewed as instrumental sound. In "Cantata mundi", the sound is more symphonic, with woodwind and brass added to the strings, percussion and recorder. The seven main "Cantus" movements incorporate ethnic percussion, and are interspersed with shorter "chorales". This suite is an arrangement for upper voices and piano with additional recorder part and includes four "Cantus" and four "chorale" movements.

Cantus "Song of Tears" - Chorale "Za ma ba" - Cantus "Song of the Spirit" - Chorale "Arama Ivi" - Cantus "Song of the Plains" - Chorale "Sol-Fa" - Cantus "Song of the Trinity" - Choral "A ma ka ma"

[FR]
"Cantata mundi" is a development of ideas first heard in "Songs of Sanctuary", where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European classical technique to present a unified work. Vocally, the spread of influence is wider than in "Songs of Sanctuary", with Eastern European and Arabic sounds added to the African, "Celtic" and ecclesiastical blend. Once again, the text is written phonetically with the words viewed as instrumental sound. In "Cantata mundi", the sound is more symphonic, with woodwind and brass added to the strings, percussion and recorder. The seven main "Cantus" movements incorporate ethnic percussion, and are interspersed with shorter "chorales". This suite is an arrangement for upper voices and piano with additional recorder part and includes four "Cantus" and four "chorale" movements.

Cantus "Song of Tears" - Chorale "Za ma ba" - Cantus "Song of the Spirit" - Chorale "Arama Ivi" - Cantus "Song of the Plains" - Chorale "Sol-Fa" - Cantus "Song of the Trinity" - Choral "A ma ka ma"

Frauenchor (SSA), Klavier und Blockflöte (optional)
Klavierauszug : 10er Pack