Double Bass Sight-Reading vol.1 (en/frz/dt) : John Kember

Titel (DE): Vom-Blatt-Spiel auf dem Kontrabass - Eine erfrischend neue Methode
Titel (EN): Double Bass Sight-Reading - A fresh approach
Titel (FR): Déchiffrage pour la contrebasse - Nouvelle approche
Komponist / Composer:
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Kontrabass / double bass
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 18.03.2015
Ausgabe / Publication: - -
- - -
Seiten / Pages: 104
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language: Englisch Französisch Deutsch
Reihe / Series: Schott Sight-Reading Series
ISMN: M-2201-3570-5
ISMN-13: 979-0-2201-3570-5
ISMN-EAN: 9790220135705
UPC:

This collection presents 195 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Double Bass. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as Double Bass duets, and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember.

Preface - To the pupil - Section 1: Open strings, pizzicato, forte / piano - Section 2: Use of the bow (arco), 1/2 position (first finger). 3/4 time and dotted minim (3 beats). New dynamics: mf and mp - Section 3: 1st, 2nd and 4th positions. Key signatures of F, Bb, Eb majors and D minor. Slurs, and further dynamic signs - Section 4: Range up to B natural. Keys of C, G and D majors, G and C minors. New time signature of 3/8 - Section 5: Range of notes extended to D but the keys remain the same. 3rd position is introduced together with triplet figures, further use of articulation and terms of style - Section 6: Range extended to G. New keys of A, E and Ab major, F, F# and C# minor. New time signatures for 5/4, 3/8 and 6/8 - Section 7: Extending the range to B natural. Thumb position. Introducing the Tenor Clef - Section 8: Various keys, time signatures and rhythms. Introducing Db and F# majors. Rhythms include ties and some syncopation - Section 9: Various styles, keys, rhythms ans syncopations - Section 10: Range extends to D. treble clef, 7/4 time and further syncopations and anticipation. Swing rhythms and walking bass. Double flats and chord symbols - Section 11: Various styles, keys, time signatures and tonalities

[FR]
This collection presents 195 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Double Bass. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as Double Bass duets, and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember.

Préface - À l'élève - Section 1: Cordes à vide, pizzicato, forte / piano - Section 2: Utilisation de l'archet (arco), 1/2 position (premier doigt). Mesure à 3/4 et blanche pointée (3 temps). Nouvelles nuances: mf et mp - Section 3: 1re, 2e et 4e position. Tonalités de fa, si bémol majeur et de ré mineur. Liaisons, et Nouvelles indications de dynamique - Section 4: Augumentation de l'étendue au si naturel. Tonalités de do, sol et ré majeur, ainsi que sol et do mineur. Nouvelle mesure à 3/8 et nouveau rhthme - Section 5: L'étendue des notes atteint le ré, tout en conservant les mêmes tonalités. Introduction de la 3e position ainsi que du triolet. Utilisation de l'articulation et de nouvelles indications de style et tempo - Section 6: Extension de l'étendue jusqu'au sol. Nouvelles tonalités de la, mi et la bémol majeur, de fa, fa# et sol# mineur. Nouvelles mesures à 5/4, 3/8 et 6/8 - Section 7: L'étendue des notes atteint le si naturel. Position du pouce. Introduction de la clé d'ut 4e - Section 8: Tonalités, mesures et rythmes divers. Introduction des tonalités de ré bémol et fa# majeur. Rythmes comprenant des liaisons de durée et des syncopes - Section 9: Divers styles, tonalités, rythmes et syncopes - Section 10: Extension d l'étendue au ré. Clé de sol, mesure à 7/4 et autres syncopes et anticipations. Rythmes swingués et walking bass. Doubles-bémols et symboles - Section 11: Divers styles, armures, mesures et tonalités