Tonstück : Johanna Senfter

Titel (DE): Tonstück E-Dur op. 60 -
Titel (EN): Tonstück E major op. 60 -
Titel (FR): Tonstück E major op. 60 -
Komponist / Composer: Senfter, Johanna
Herausgeber / Editor: Maier, Christiane
Bearbeiter / Arranger:
Illustrator:
Opus: op. 60
Werkverzeichnis:
Besetzung / Instrumentation: 8 Bläser (Flöte, Klarinette in A, 4 Hörner und 2 Fagotte) / 8 wind instruments (flute, clarinet in A, 4 horns and 2 bassoons)
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1930
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 06.12.2002
Ausgabe / Publication: Partitur - Score -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-001-12379-2
ISMN-13: 979-0-001-12379-2
ISMN-EAN: 9790001123792
UPC:

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure of Reger and Bach, as well as from the complex use of sounds and motifs in the music of J. Brahms, which did not leave her in an easy position in the context of twentieth Century modernism. Growing interest in the work of female composers has also led to a rediscovery of J. Senfter in recent years. Her extensive work includes piano music, orchestral works and chamber music, including the Piece for flute, clarinet (in A), two bassoons and four horns, first performed in Karlsruhe in 1934.

[FR]
Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure of Reger and Bach, as well as from the complex use of sounds and motifs in the music of J. Brahms, which did not leave her in an easy position in the context of twentieth Century modernism. Growing interest in the work of female composers has also led to a rediscovery of J. Senfter in recent years. Her extensive work includes piano music, orchestral works and chamber music, including the Piece for flute, clarinet (in A), two bassoons and four horns, first performed in Karlsruhe in 1934.