Streichquartett fis-Moll op.28 Johanna Senfter

Titel (DE): Streichquartett fis-Moll op. 28 - herausgegeben von Wolfgang Birtel
Titel (EN): String Quartet F sharp minor op. 28 - edited by Wolfgang Birtel
Titel (FR): String Quartet F sharp minor op. 28 - edited by Wolfgang Birtel
Komponist / Composer: Senfter, Johanna
Herausgeber / Editor: Birtel, Wolfgang
Bearbeiter / Arranger:
Illustrator:
Opus: op. 28
Werkverzeichnis:
Besetzung / Instrumentation: 2 Violinen, Viola und Violoncello / 2 violins, viola and cello
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration: 24'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 11.12.2024
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 100
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-001-17647-7
ISMN-13: 979-0-001-17647-7
ISMN-EAN: 9790001176477
UPC: 841886016729

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models here Baroque movements like gavotte, saraband, gigue with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire.
The Reger student Johanna Senfter (1879-1961) has recently regained interest in concert life. Her extensive oeuvre includes five string quartets, whereby the F-sharp minor quartet is in the late Romantic tradition and is also formally indebted to Baroque models.
I Andante (Kanon) - II Lustig (Gavotte) - III Langsam (Aria) - IV Ziemlich Lebhaft (Scherzo) - V Langsam (Sarabande) - VI Lebhaft (Gigue)

[FR]
The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models here Baroque movements like gavotte, saraband, gigue with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire.
The Reger student Johanna Senfter (1879-1961) has recently regained interest in concert life. Her extensive oeuvre includes five string quartets, whereby the F-sharp minor quartet is in the late Romantic tradition and is also formally indebted to Baroque models.
I Andante (Kanon) - II Lustig (Gavotte) - III Langsam (Aria) - IV Ziemlich Lebhaft (Scherzo) - V Langsam (Sarabande) - VI Lebhaft (Gigue)

Partitur und Stimmen