Ouvertüre h-Moll Nr.2 BWV1067 : Johann Sebastian Bach

Titel (DE): Ouvertüre (Suite) Nr. 2 BWV 1067 - h-Moll
Titel (EN): Overture (Suite) No. 2 BWV 1067 - B minor
Titel (FR): Ouverture (Suite) No. 2 Si mineur BWV 1067 - B minor
Komponist / Composer: Bach, Johann Sebastian
Herausgeber / Editor: Newstone, Harry
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: BWV 1067
Besetzung / Instrumentation: Flöte, Streicher und Basso continuo / flute, strings and basso continuo
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 01.02.1981
Ausgabe / Publication: Studienpartitur - Study score -
- Rev. Neuausgabe - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - fortgeschritten - intermediate - advanced - moyen - avancé
Sprache / Language:
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-0717-0
ISMN-13: 979-0-2002-0717-0
ISMN-EAN: 9790200207170
UPC: 841886018297

From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.

Preface - Vorwort - . - I. (Grave)-(Allegro) - II. Rondeau (Allegro) - III. Sarabande - IV. Bourrée I. alternativement: - Bourrée II - V. Polonaise. Moderato - VI. Menuet (Allegretto) - VII. Badinerie (Allegro)

[FR]
From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.

Preface - Vorwort - . - I. (Grave)-(Allegro) - II. Rondeau (Allegro) - III. Sarabande - IV. Bourrée I. alternativement: - Bourrée II - V. Polonaise. Moderato - VI. Menuet (Allegretto) - VII. Badinerie (Allegro)