Fantasie und Fuge c-Moll BWV537 - Johann Sebastian Bach

Titel (DE): Fantasie und Fuge c-Moll BWV 537 -
Titel (EN): Fantasie und Fuge c-Moll BWV 537 -
Titel (FR): Fantasie und Fuge c-Moll BWV 537 -
Komponist / Composer: Bach, Johann Sebastian
Herausgeber / Editor:
Bearbeiter / Arranger: Mühlenhardt, Olaf
Illustrator:
Opus:
Werkverzeichnis: BWV 537
Besetzung / Instrumentation: 4 Saxophone (SATBar) oder Saxophon Ensemble (SATBarB) / 4 saxophones (SATBar) or saxophone ensemble (SATBarB)
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.2009
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 36
Verarbeitung: Mappe - Folder
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0868-0
ISMN-13: 979-0-2063-0868-0
ISMN-EAN: 9790206308680
UPC: 805095075366

The Fantasia opens with a long pedal point over which the upper parts unfold a solemn, declamatory theme. The second theme employs expressive sighing gestures. The fact that there are virtually no passages or even cadences in major certainly contributes to its noble, elegiac character (Spitta). The half cadence at the end is unique in Bach's organ works and combines the two movements to a larger entity. The energetic first theme of the Fugue develops an incomparable drive, especially in combination with its diverse, imaginative countersubject in eighth notes. A second theme (ascending chromatic line) appears in the middle section. It is accompanied by a sequence of eighth notes developed from bars 24 27 and 50/51. The two themes are not combined in the last section.

[FR]
The Fantasia opens with a long pedal point over which the upper parts unfold a solemn, declamatory theme. The second theme employs expressive sighing gestures. The fact that there are virtually no passages or even cadences in major certainly contributes to its noble, elegiac character (Spitta). The half cadence at the end is unique in Bach's organ works and combines the two movements to a larger entity. The energetic first theme of the Fugue develops an incomparable drive, especially in combination with its diverse, imaginative countersubject in eighth notes. A second theme (ascending chromatic line) appears in the middle section. It is accompanied by a sequence of eighth notes developed from bars 24 27 and 50/51. The two themes are not combined in the last section.

Titel / Title: Fantasie und Fuge c-Moll BWV 537
Herausgeber / Publisher: Advance Music
Instrumentation: 4 Saxophones [SATBar] or Saxophone Ensemble [SATBarb]
Produkttyp / Product: Partitur + Stimmen
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 2009
ISMN: 9790206308680
ISBN: 9783892216490
00
für 4 Saxophone (Ensemble SATBar) Partitur und Stimmen