Fantasie und Fuge a-Moll BWV904 - Johann Sebastian Bach

Titel (DE): Fantasie und Fuge a-Moll BWV 904 -
Titel (EN): Fantasie and Fuge A minor BWV 904 -
Titel (FR): Fantasie and Fuge A minor BWV 904 -
Komponist / Composer: Bach, Johann Sebastian
Herausgeber / Editor:
Bearbeiter / Arranger: Mühlenhardt, Olaf
Illustrator:
Opus:
Werkverzeichnis: BWV 904
Besetzung / Instrumentation: 5 Saxophone (SAATBar (opt. B)) / 5 saxophones (SAATBar (opt. B))
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.01.2009
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 36
Verarbeitung: Mappe - Folder
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0874-1
ISMN-13: 979-0-2063-0874-1
ISMN-EAN: 9790206308741
UPC: 805095075434

Bach probably composed Fantasia and Fugue around 1725 at the beginning of his Leipzig years. Hardly any of his keyboard works is so closely associated with his organ works. The remarks manualiter' in two of the surviving manuscripts suggest that it was also played on the organ. The character of the Fantasia is serious and grave. Even the interludes, despite their lighter texture, maintain an overall contemplative character. Its concerto form is strictly symmetrical. The main theme appears four times: in a-minor, e-minor, d-minor and finally a-minor. Three interludes often employ only three parts and effectively contrast the full harmony of the main theme. The four-part double fugue is an example of Bach's unique contrapuntal craftsmanship. He combines two notably contrasting themes: the first is diatonic, rhythmic and agile while the second consists of a descending chromatic line. It appears around the center of the movement after a short cadence cesura. Surprisingly, it is immediately presented in stretto form. At the end both themes are combined three times.

[FR]
Bach probably composed Fantasia and Fugue around 1725 at the beginning of his Leipzig years. Hardly any of his keyboard works is so closely associated with his organ works. The remarks manualiter' in two of the surviving manuscripts suggest that it was also played on the organ. The character of the Fantasia is serious and grave. Even the interludes, despite their lighter texture, maintain an overall contemplative character. Its concerto form is strictly symmetrical. The main theme appears four times: in a-minor, e-minor, d-minor and finally a-minor. Three interludes often employ only three parts and effectively contrast the full harmony of the main theme. The four-part double fugue is an example of Bach's unique contrapuntal craftsmanship. He combines two notably contrasting themes: the first is diatonic, rhythmic and agile while the second consists of a descending chromatic line. It appears around the center of the movement after a short cadence cesura. Surprisingly, it is immediately presented in stretto form. At the end both themes are combined three times.

Titel / Title: Fantasie and Fuge A minor BWV 904
Herausgeber / Publisher: Advance Music
Instrumentation: 5 Saxophones [SAATBar [Opt. B]]
Produkttyp / Product: Partitur + Stimmen
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 2009
ISMN: 9790206308741
ISBN: 9783892216537
UPC: 805095075434

für 5 Saxophone (SAATBar) (Bass ad lib) Partitur und Stimmen