Zalba, Javier Javier Zalba

Titel (DE): Rastro y Belascoaín -
Titel (EN): Rastro y Belascoaín -
Titel (FR): Rastro y Belascoaín -
Komponist / Composer: Zalba, Javier
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: 4 Saxophone (AATBar) / 4 saxophones (AATBar)
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 18.04.2012
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 24
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - advanced - avancé
Sprache / Language:
Reihe / Series:
ISMN: M-2063-0737-9
ISMN-13: 979-0-2063-0737-9
ISMN-EAN: 9790206307379
UPC: 805095074741

This quartet has been composed for and, with great affection, been dedicated to the Havana Conservatory of Music in Cuba, where I myself work as a teacher. This composition aims at reflecting an ordinary day filled with everyday activities, revealing different states of mind - with high spirits prevailing -, dynamism as well as unusual noises such as car horns, which I have tried to reproduce, for instance, in the final notes in bars 40, 41, 43 and 45. What mainly manifests itself throughout this work is a spirit of jazz (a genre that is very popular among music students, especially here at our conservatory). A correct execution of the off-beats and syncopations is of great importance, particularly with regard to the baritone sax, which occasionally assumes the part of the bass as it does for example in part A and, above all, in part D, where it provides a jazzy accompaniment for the soloists, performing bebop style accents (see bars 31, 32, 131 and 132) and riff-like phrases (as is done as of bar 116). Please note that the saxophonists, according to preference, may take turns in performing the solos; they should, however, be careful not to exaggerate things in order to prevent the baritone from being overstrained.

[FR]
This quartet has been composed for and, with great affection, been dedicated to the Havana Conservatory of Music in Cuba, where I myself work as a teacher. This composition aims at reflecting an ordinary day filled with everyday activities, revealing different states of mind - with high spirits prevailing -, dynamism as well as unusual noises such as car horns, which I have tried to reproduce, for instance, in the final notes in bars 40, 41, 43 and 45. What mainly manifests itself throughout this work is a spirit of jazz (a genre that is very popular among music students, especially here at our conservatory). A correct execution of the off-beats and syncopations is of great importance, particularly with regard to the baritone sax, which occasionally assumes the part of the bass as it does for example in part A and, above all, in part D, where it provides a jazzy accompaniment for the soloists, performing bebop style accents (see bars 31, 32, 131 and 132) and riff-like phrases (as is done as of bar 116). Please note that the saxophonists, according to preference, may take turns in performing the solos; they should, however, be careful not to exaggerate things in order to prevent the baritone from being overstrained.

Titel / Title: Rastro y Belascoaín
Herausgeber / Publisher: Advance Music
Instrumentation: 4 Saxophones [AATBar]
Produkttyp / Product: Partitur + Stimmen
Produkttyp / Product: Partitur + Stimmen
Erscheinungsdatum / Date of Production: 2012
ISMN: 9790206307379
ISBN: 9783892218562
00
Rastro y Belascoaín 4 Saxophone (AATBar) : Partitur und Stimmen