Stomp (with Fate and Elvira) : James MacMillan

Titel (DE): Stomp (with Fate and Elvira) HPS 1534 - Concert Overture for Orchestra
Titel (EN): Stomp (with Fate and Elvira) HPS 1534 - Concert Overture for Orchestra
Titel (FR): Stomp (with Fate and Elvira) HPS 1534 - Concert Overture for Orchestra
Komponist / Composer: MacMillan, James
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Orchester / Orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2006
Aufführungsdauer / Duration: 5'
Verlag / Publisher: Boosey & Hawkes
Erscheindungsdatum / Date of Publishing: 23.03.2015
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 44
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - schwer - advanced - difficult - avancé - difficile
Sprache / Language:
Reihe / Series: Hawkes Pocket Scores
ISMN: M-060-12223-1
ISMN-13: 979-0-060-12223-1
ISMN-EAN: 9790060122231
UPC: 888680095741

Concert overture for orchestra, first performed in 2007 by the London Symphony Orchestra, conducted by Sir Colin Davis. The Times described the five-minute piece as an irreverent deconstruction of the two big works heard earlier the Tchaikovsky 4th Symphony and Mozart's Elvira Madigan Piano Concerto, K467[...] Stomp went through all sorts of wacky distortions before being whisked, ceilidh-style, into a punch-drunk jig of delight. In response, the Financial Times commented, Imagine Mozart and Tchaikovsky in kilts, thrown into the middle of a highland fling.

[FR]
Concert overture for orchestra, first performed in 2007 by the London Symphony Orchestra, conducted by Sir Colin Davis. The Times described the five-minute piece as an irreverent deconstruction of the two big works heard earlier the Tchaikovsky 4th Symphony and Mozart's Elvira Madigan Piano Concerto, K467[...] Stomp went through all sorts of wacky distortions before being whisked, ceilidh-style, into a punch-drunk jig of delight. In response, the Financial Times commented, Imagine Mozart and Tchaikovsky in kilts, thrown into the middle of a highland fling.