Konzert D-Dur : für Violine Igor Strawinsky (Stravinsky)

Titel (DE): Concerto en ré - Konzert in D - für Violine und Orchester
Titel (EN): Concerto en ré - Concerto in D - for violin and orchestra
Titel (FR): Concerto en ré - pour violon et orchestre
Komponist / Composer: Strawinsky, Igor
Herausgeber / Editor: Karallus, Manfred
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violine und Orchester / violin and orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1931
Aufführungsdauer / Duration: 22'
Verlag / Publisher: Eulenburg
Erscheindungsdatum / Date of Publishing: 14.01.1986
Ausgabe / Publication: Studienpartitur - Study score -
- - -
Seiten / Pages: 72
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: schwer - difficult - difficile
Sprache / Language:
Reihe / Series: Eulenburg Studienpartituren
ISMN: M-2002-1158-0
ISMN-13: 979-0-2002-1158-0
ISMN-EAN: 9790200211580
UPC: 841886005853

The idea of a violin concerto came from Stravinskys publisher at the time, Willy Strecker from Schott, and violinist Samuel Dushkin. Stravinsky even noted in his autobiography that the availability of advice from Dushkins was a factor in writing the piece. He also sought the opinions of composer and violinist Paul Hindemith who reassured Stravinsky about his concerns with writing for an instrument he was unfamiliar with. The help he received may have helped Stravinsky discover new possibilities for the instrument.

Preface - I. Toccata - II. Aria I - III. Aria II - IV. Capriccio

[FR]
The idea of a violin concerto came from Stravinskys publisher at the time, Willy Strecker from Schott, and violinist Samuel Dushkin. Stravinsky even noted in his autobiography that the availability of advice from Dushkins was a factor in writing the piece. He also sought the opinions of composer and violinist Paul Hindemith who reassured Stravinsky about his concerns with writing for an instrument he was unfamiliar with. The help he received may have helped Stravinsky discover new possibilities for the instrument.

Preface - I. Toccata - II. Aria I - III. Aria II - IV. Capriccio