DIVERTIMENTO GIOCOSO : FUER 2 HOLZ- Harald Genzmer

Titel (DE): Divertimento giocoso GeWV 171 -
Titel (EN): Divertimento giocoso GeWV 171 -
Titel (FR): Divertimento giocoso GeWV 171 -
Komponist / Composer: Genzmer, Harald
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: GeWV 171
Besetzung / Instrumentation: 2 Holzbläser (Flöten, Alt-Blockflöten oder Flöte und Oboe) und Streichorchester / 2 woodwinds (flutes, treble recorders or flute and oboe) and string orchestra
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1960
Aufführungsdauer / Duration: 13'
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 15.02.1977
Ausgabe / Publication: Solostimme - Solo part - Flöte II
flute II - - -
Seiten / Pages: 4
Verarbeitung: -
Schwierigkeitsgrad / Difficulty: mittelschwer - intermediate - moyen
Sprache / Language:
Reihe / Series:
ISMN: M-001-02215-6
ISMN-13: 979-0-001-02215-6
ISMN-EAN: 9790001022156
UPC:

"The Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically interesting though not revolutionary work presents the strings and the solo instruments often entering canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester)

[FR]
"The Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra. The composer, whose work suits the amateur music-making very much in many respects, succeeded in creating a tonal arrangement that is individual in style. In the first movement, this rhythmically very lively, thematically clearly visible and harmonically interesting though not revolutionary work presents the strings and the solo instruments often entering canonically with an easily remembered -seventh motif; in the second movement, it leads a melody dying away a long time to a dynamic climax, adds harmonic cross relations to a scherzo moving in dance style and closes with a lively vivace movement. (Das Liebhaber-orchester)