Lauda (con sordino) Gavin Bryars

Titel (DE): Lauda (con sordino) - for cello or viola, piano and optional electric guitar
Titel (EN): Lauda (con Sordino) - for cello or viola, piano and optional electric guitar
Titel (FR): Lauda (con Sordino) - for cello or viola, piano and optional electric guitar
Komponist / Composer: Bryars, Gavin
Herausgeber / Editor:
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Violoncello oder Bratsche und Klavier und optional Elektro-Gitarre / cello or viola and piano and optional electric guitar
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 2002
Aufführungsdauer / Duration: 10'
Verlag / Publisher: Schott Music Ltd., London
Erscheindungsdatum / Date of Publishing: 09.03.2009
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 28
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: mittelschwer - schwer - intermediate - difficult - moyen - difficile
Sprache / Language:
Reihe / Series: Edition Schott
ISMN: M-2201-3064-9
ISMN-13: 979-0-2201-3064-9
ISMN-EAN: 9790220130649
UPC: 841886011380

In 2001, Gavin Bryars began writing a number of pieces based on a large collection of 13th century semi-religious songs, known as 'Lauda', which would have been sung outside churches and in other public places. To date, Bryars has written around 40 of his own 'laude' for a variety of instrumentations including solo voice, voices and ensemble and even choir. Lauda (con sordino) was written in 2002 as a purely instrumental version and although it has been reinvented for the present day, it retains the purity and austerity of the original style. This is a stunningly beautiful work and a perfect introduction to the sound world of Gavin Bryars.

[FR]
In 2001, Gavin Bryars began writing a number of pieces based on a large collection of 13th century semi-religious songs, known as 'Lauda', which would have been sung outside churches and in other public places. To date, Bryars has written around 40 of his own 'laude' for a variety of instrumentations including solo voice, voices and ensemble and even choir. Lauda (con sordino) was written in 2002 as a purely instrumental version and although it has been reinvented for the present day, it retains the purity and austerity of the original style. This is a stunningly beautiful work and a perfect introduction to the sound world of Gavin Bryars.